Wednesday, October 28, 2009

SOMETHING OF VALUE

Something of Value, Robert Ruark, Doubleday & Company Inc, 1955, 560 pp


This long novel was #6 on the bestseller list for 1955 and falls in my newly named category of "dick lit." But even though it took me almost a week to read, I liked it. The setting is Kenya in the 1940s and the viewpoint is mostly from the English white men who own farms and use native labor. Shortly after WWII, the natives in Kenya began a terrorist uprising called The Mau Mau rebellion, which several decades later led to Kenya achieving independence from Great Britain.

Ruark has his own views about all this and they come through transparently. He has sympathies with both white man and native but does not seem to think that colonialism is inherently wrong. He clearly loves Africa and in fact made many trips there, primarily to hunt wild game. But his knowledge of the natives, their customs and superstitions, is extensive and he has as much affinity for them as he does for the rich white farmers.

This the book is a fascinating historical study and appropriate as we move through Barak Obama's presidency. It is also without doubt, one of the bloodiest and most violent books I have ever read. There are scenes of slaughter, at least one hunting trip, incidents of life in the hiding places of the militant natives, etc. Ruark was an unabashed worshiper of Hemingway and aspired to be that writer, though he was at least ten times more wordy. I think that he was even more manly in his writing style.

Truly another adventure in reading the bestsellers of the second half of the 20th century.


(Something of Value is out of print, though available in libraries and from used book sellers. The link here is for alibris.)

Tuesday, October 27, 2009

THE ENCHANTRESS OF FLORENCE

The Enchantress of Florence, Salman Rushdie, Random House, 2008, 349 pp


At last I have read a book by Salman Rushdie after intending to for years. I must admit, I was somewhat intimidated by just the idea of this author and worried that I might not understand him. I've not read any of his earlier books.

The Enchantress of Florence
is historical, set in India and Florence in the 1500s. I have read loads of historical fiction so I was fine with that. Also Rushdie studied history for years in college, so while the four and a half page bibliography at the back shows he did his research, he has a historian's background as well, making him enough at ease that the fictional liberties he takes feel smooth.

If you are the type of reader who begins to whine when the cast of characters goes above five, do not read this novel. If you must have everything nailed down to the real and provable, chose another book. In fact, there are many characters in Renaissance Florence, including Niccolo Machiavelli; myriad characters in Akbar the Great's Indian empire; some characters who move between locations; and imaginary persons as well. In addition, the dates of the historical personages do not quite match up, a fact that is freely admitted during the telling of this magical tale.

The Enchantress of Florence is a fairy tale for adults and had me as enthralled as I ever was when I loved Cinderella, Snow White, etc, in my much younger years. There are several mysteries throughout the tale, all of which are nicely resolved. With lighthearted aplomb, Rushdie delves into questions of love, power, religious belief, freedom and all the variations of those weighty ideas.

I finished feeling that I had been conducted through a magical mystery tour while being invited and allowed to contribute to the entire experience. As my sister would say, fabulous!


(The Enchantress of Florence
is available in paperback on the shelf at Once Upon A Time Bookstore.)

Friday, October 23, 2009

AFTER THE FALL, A STILL SMALL VOICE

After the Fall, a Still Small Voice, Evie Wald, Pantheon Books, 2009, 296 pp


My review of this excellent first novel is now up at BookBrowse.

Here is an excerpt: "Suffering from uncontrollable rage and an inability to handle relationships, Frank Collard escapes from Sydney to the small beach town of Mulaburry on the southeast Australian coast. There, amid the cane fields, rip tides and other lost souls, haunted by the Creeping Jesus in the dark, he fights with his demons and comes to terms with his history."

Read the entire review here.


(After the Fall is available on the shelf at Once Upon A Time Bookstore.)

Tuesday, October 20, 2009

ANDERSONVILLE

Andersonville, MacKinlay Kantor, The World Publishing Company, 1955, 760 pp


This endless tome was #3 on the bestseller list for 1955 and won the Pulitzer Prize in 1956. Because of the number of words per page, the book was probably equivalent to about 1400 pages. It took me thirteen days to read it. That was frustrating but it is not a bad book; though I can't imagine it being a bestseller today.

It is a recounting of the creation, maintaining and dissolution of Andersonville prison, which held up to 27,000 Yankee prisoners of war during the last two years of the Civil War. That's 27,000 at a time. The crowding was intense, the rations amounted to starvation and scurvy, there was no shelter nor were there any sanitation facilities. Hundreds of prisoners died every day. Just gruesome.

The author tells the story through various points of view including that of certain prisoners complete with each one's personal back story. We also hear from a local plantation owner who could be classified as a "good" slave owner, several confederate army officials, a doctor, etc.

The book definitely dragged at times and was almost too horrific to read. The only other POW camp book I had read previously was King Rat by James Clavell, a much shorter book leavened with some wry humor and quite a bit more excitement. I have since read Empire of the Sun by J G Ballard. All three books show a prison camp to be an extreme microcosm of life on earth, because the entire range of human qualities exists even there. All that is missing is women. Actually there are women in Empire of the Sun.

I will be thinking about this book for a long time.


(Andersonville and Empire of the Sun are available in paperback by special order from Once Upon A Time Bookstore. King Rat is probably best found in your local library.)

Monday, October 19, 2009

BURN MARKS

Burn Marks, Sara Paretsky, Delacorte Press, 1990, 340 pp


In her sixth V I Warshawski mystery, an old friend from the detective's days as a public defender solicits her support in a political campaign. No sooner does V I contribute a check and appear at a party, than she is accused of prying into her friend's affairs and told to back off. At the same time, Aunt Elena, the derelict sister of V I's deceased father, appears after being left homeless because her fleabag hotel has burned to the ground.

Before long a combination of possible arson, unethical practices in granting contracts for Chicago's newest urban renewal project, and another burnt down hotel have V I neglecting her paying clients and fearing for her life, as usual. The police don't believe her and even her closest friend Dr Hershel tells her to leave the whole mess alone. But V I's sense of justice and a certain stubborn disregard for good sense, drives her to find the answers.

So finely tuned is Paretsky's writing that I was truly worried about the possibility that this was it for Warshawski, though I knew that she appeared in six more mysteries. Even the humor that usually provides moments of light is in short supply here. But two new factors enter into the picture. V I does not learn any lessons about taking better care of herself but she seems to have achieved some perspective. She can stand up for what is right on a case by case basis but she cannot put the whole city of Chicago right.

In the end, she also gets her point across to Bobby, her arch nemesis in the police department, as she gains a deeper understanding of the various ethnic tensions that make up her city. In this way and throughout all her books, Paretsky explains the uniqueness of Chicago and makes it more than just another American urban center. That is an impressive feat and keeps this author many levels above any other mystery series writer I have read.

(This book is available in paperback by special order from Once Upon A Time Bookstore.)

Saturday, October 17, 2009

AUNTIE MAME

Auntie Mame, Patrick Dennis, Vanguard Press, 1955, 280 pp


Madcap is not my favorite genre and madcap this is. In fact, I found it downright silly and formulaic. It was a huge bestseller and ended the year, 1955, at #2 on the bestseller list.

Ten year old Patrick is adopted by his wild and wacky aunt after his father's death. He grows up in a breathless rush of parties and adventures with his aunt among the wealthy, artistic and famous in New York City. Between times he has to go to a drab boarding school because the conservative executor of his estate tries to follow the deathbed wishes of Patrick's father.

I will read a sequel, Around the World With Auntie Mame, because it was a top bestseller in 1958. Auntie Mame was made into a hit Broadway play, then an award winning movie, followed by a Broadway musical and a bad movie from that. By the 1970s Patrick Dennis had blown all his money and his books were out of print. My point exactly.

(Auntie Mame was reissued in paperback in 2001 and is available by special order from Once Upon A Time Bookstore.)

Friday, October 16, 2009

TRAVELS WITH CHARLEY

Travels With Charley, John Steinbeck, The Viking Press, 1962, 246 pp


Travel writing, like any other genre, depends on the quality of the writing. Steinbeck being one of the best writers ever in my opinion, also being a man who understands a quest, made Travels With Charley a piece of literature. At the age of 58, he set out to drive around the United States and rediscover first hand the country he had been writing about for 25 years.

He traveled in a three-quarter-ton pickup truck with a small cabin built in the bed. With his truck named Rocinante (the name of Don Quixote' horse) and his large bleu French poodle named Charley, if Steinbeck needed lodging it was right there and if he needed company there was Charley.

The hardcover original Viking Press edition I found at my local library has a map of the journey from Sag Harbor up to Maine, across the northern states, down the west coast and across the southwest through Texas to New Orleans and back up the eastern side of the country. It is a complete package of road trip with a purpose, map, dog and Steinbeck's inimitable style of personal quirks, wry wit and unique view of life.

Rather than recount Steinbeck's adventures, which anyone can read about on the cover flap, let me just say that it was a highly successful trip with enough excitement to counteract the boredom of all the miles driven. Like many trips, it came to an end before he reached home and like any good travel book, it made me long for the open road.


(You can buy this book off the shelf in paperback at Once Upon A Time Bookstore.)

Wednesday, October 14, 2009

BONJOUR TRISTESSE

Bonjour Tristesse, Francoise Sagan, E P Dutton and Company, 1955, 128 pp


Why is it that little French novels become big hits in the United States? This book, which is barely a novella, was the #4 bestseller in 1955 and is the quintessential little French novel. The author was seventeen when she wrote it and had failed to pass her first year at the Sorbonne. No Simone de Beauvoir here.

The story is an inverted "Parent Trap." A privileged seventeen-year-old girl lives with her exciting father. They party, stay up late and are having a summer on the Riviera. Cecile has failed at school and would rather swim, go to casinos and hang out with her amusing father, his current mistress and flighty friends. See what I mean? So French.

Enter Anne, a fashionable friend of Cecile's dead mother. She is responsible, works hard in the couture world and has been like a fairy godmother to Cecile. But now she captivates the father and they become engaged, which means an end to Cecile and her Daddy's carefree life. Cecile begins to plot a scheme to get rid of Anne, which works only too well.

Amusing chick lit. I am so glad it was short. The writing, at least in translation, is not bad but the story is so predictable. It was made into a movie with Jean Seberg in 1958 but is not available on DVD as far as I can tell. The book, most recently reissued by Harper Perennial in 2001, is only available from used book sellers and of course in libraries.

Saturday, October 10, 2009

PAYBACK

Payback, Debt and the Shadow Side of Wealth, Margaret Atwood, House of Anansi Press, 2008, 204 pp


Margaret Atwood's latest collection of essays is highly accessible and entertaining, though it rests on her usual level of scholarship. Here she tackles questions about the balance of give and take in living, the correlation throughout man's history between debt and sin, the way debts of all types are intrinsic to plot in literature. If you have ever been (or currently are) up to your ears in debt, this book will hold your interest and even to a degree, ease your mind.

Not to say that anyone gets off easy; not the individual credit card abuser, not the guy who fails to pay his child support, not the government, banks or big business. At first it was amazing to me that Atwood researched and wrote AND published this book before the crash of 2008. It is possible that Margaret Atwood is a witch or shamaness, but more likely that she has such a sensitivity to and grip on global conditions, that she intuitively found herself investigating world financial conditions before most of us knew we were headed for trouble.

Lest you worry that this is another polemic on economics, it is altogether something else. After addressing the above mentioned topics, she moves into a parallel of Charles Dickens' 1843 novel, A Christmas Carol, starring Ebenezer Scrooge. As the archetype for rapacious capitalists who build their wealth on the backs of oppressed workers, he is also the recipient of the ultimate payback. Furthermore, he repents in a 12 step program manner and actually undergoes a change of heart. Perfect.

By the end of the final and fifth essay, entitled "Payback," a delightful trick has been played on the reader. I will not reveal the bait and switch that Atwood works on us because it is too delicious to spoil. I'll just say, it is not so much that she does not assign blame for the state of our modern world: she does! But for those of us who would rather be part of the solution, she dispenses hope and tasks in true witch fashion.

I highly recommend Payback. You will never look at life in quite the same way again.

(This book is available in paperback by special order from Once Upon A Time Bookstore.)

Tuesday, October 06, 2009

THE CELLIST OF SARAJEVO

The Cellist of Sarajevo, Steven Galloway, Riverhead Books, 2008, 231 pp


Imagine an account of human history told by stringing together all the incidences of cities under siege. Ever since mankind began to congregate in densely populated urban settings (and I am too lazy at the moment to look up when that was), we have been subject to siege by enemies. In my imaginary collection of siege tales, The Cellist of Sarajevo would have a place.

I read this book during the week of wildfires that raged just north and east of my home this September. During the day, smoke-filled air filtered the sunlight to an eerie orange. At night we could see flames on the hillsides just a few miles away. I had friends ordered to evacuate their homes and others who lived hour to hour as they waited for such orders.

Yet I could sit at my computer and read the hourly updates on LATimes.com with never a worry about food, water or safety. Which was strikingly similar to the way America experienced the Bosnian War.

Steven Galloway's account of just a few weeks in Sarajevo, told through the eyes of three characters, told me of their sufferings much as my friends in Tujunga, La Crescenta, La Canada and Pasadena, told me the stories of the wildfires. For my friends, it was only for a couple of weeks and not one of them died or even lost a home. In Sarajevo it went on for almost four years.

The author is not a Bosnian, he is a Canadian. I generally disdain stories written by Western white people about other races and cultures, but he is a good enough writer and more importantly a good enough listener, to have taken the stories told to him by survivors of the siege and create a moving sense of those times. As he weaves between his three characters, a bakery worker who managed to go to work everyday, a father who had to walk miles through sniper fire just to get water for his family, and a young female sharpshooter, we discover that courage, humanity and love can triumph over fear, dehumanization and hatred. The cellist who played for 22 days in a row to memorialize the same number of fallen friends and neighbors is the symbol of all that.

It was almost too much for me. I found that I would never want to be in that much danger and doubted that I would stand up to it as well as these characters. Sometimes I could hardly bear to read another page, but from the security of my bed or sofa, I felt that reading about it was the least I could do.

(This book is available on the shelf at Once Upon A Time Bookstore.)

Monday, October 05, 2009

MARJORIE MORNINGSTAR

Marjorie Morningstar, Herman Wouk, Doubleday & Company Inc, 1955, 584 pp


I remember one summer day when I was a young teen, a movie by this name came on afternoon TV. My mother, passing through the family room, hurriedly turned it off and forbade me to watch it. In her eyes, it was too advanced in concept (translation: sex) for a girl my age. She didn't know, of course, that I was reading Lady Chatterley's Lover or Tropic of Cancer at babysitting jobs. In the long view, none of these books did much to prepare me for womanhood, but at 13, I was just trying to learn about sex.

Marjorie Morningstar was the #1 bestseller in 1955. When I finally read it in 1992, after having read Wouk's Youngblood Hawke, I found out what I had missed over thirty years earlier. It starts out great. Marjorie is a Jewish girl with stars in her eyes. She is all set to flaunt everything her mother tried to teach her and become an actress. She falls for Noel Airman, director of plays, a rebel against Judaism and society and a comet burning out. He is in fact another version of Youngblood Hawke, a novelist who meets a tragic end.

After much emotional waffling, reminiscent of Bella in Twilight; after realizing that being a "bad girl" means you have to go to bed with the guy, Marjorie turns tail and settles for marriage, security and all the rest, just as Noel had predicted. (I never finished the Twilight Series and don't know what Bella decided.) I'm not sure what Wouk was up to here. Youngblood Hawke burned out from a relentless pursuit of art and fame, as is predicted for Noel. It's a depressing end, but in the 1950s and today, that is appropriate for a man. Are women not allowed to burn out? Can they not be comets?

Well, the double standard was the official line in the 1950s. Marjorie Morningstar was an enlightening read. Free love, feminism, and all the rest was just a decade away in 1955. And at least Wouk posed the questions.


(Marjorie Morningstar and Youngblood Hawke are both available in paperback by special order from Once Upon A Time Bookstore.)

Sunday, October 04, 2009

THE MAN IN THE GRAY FLANNEL SUIT

The Man in the Gray Flannel Suit, Sloan Wilson, Simon & Schuster, 1955, 276 pp


My dad used to use the phrase "man in the gray flannel suit" to describe certain people. In fact both of my parents read the book back in the day when it was #5 on the bestseller list of 1955.

Thomas and Betsy Rath are living in a small house in a small Connecticut town with their three small children. They were very happy and in love when they married in 1943, but Thomas had to go to war, jump from planes and kill people. He came back a changed man; now life is dreary and routine, they drink martinis every night and the magic is gone.

Thomas works for a non-profit foundation making not quite enough money. When his grandmother dies and leaves her house to him, he and Betsy decide to move up in the world. But Tom's war induced cynicism and the secrets he carries make it hard for him to take it all seriously. Since he is basically a good person and Betsy is positive with lots of energy, they rather improbably work it all out by the end of the story.

The writing is not great but Sloan struck a chord with the middle class reading public and the book was an instant bestseller, was made into a successful movie and the title went down in history as the concept of conformity. After hearing about this gray flannel suited man for almost my whole life, it was great to read the book at last.


(This book is available in paperback by special order from Once Upon a Time Bookstore. It is also on the shelves of many public libraries.)

Tuesday, September 29, 2009

UPDATE ON MY BIG FAT READING PROJECT

(For background on this post, see My Big Fat Reading Project.)

In a couple days, I will have finished reading my book list for 1955. Due to several factors, but mostly due to the extremely low level of excitement I have felt for the books of the 50s, it has taken me ten months to work through this list.

Last spring I joined a writing group in hopes of having some company for the lonely act of writing and in expectation of having a monthly deadline for producing work. It has worked out fabulously in both respects. I am basically a lazy person who can drift for days and weeks without accomplishing a darn thing unless I have deadlines, which I define as the line beyond which you are dead. My writing group members are wonderful, kind and sharp people; just what I need because I also suffer from low self-esteem as a writer. There, that is enough sharing.

So I have been re-writing the earlier chapters I wrote for the memoir of reading I hope to finish before I die; then reading them to the group. It is all working out fine, except that I have not written a new chapter since last November. You can read the first drafts of my chapters on this blog here.

I had a pattern of posting the list of books for each year with their reviews just before I would post a new chapter. That pattern is now in shambles and behind the times. I finished the books for 1955 late last year but have not ever posted the list of the reviews for them, because I have been not writing the chapter for 1954. So what, you say.

So I am going to try a new pattern. First I will post the reviews, individually of those books I read for 1955, interspersed with the stuff I am currently reading. Reading all those books from 60 years ago has paid off richly for me in terms of background to current fiction, seeing the trends and changes over the years and learning lots of history. I would like to share what I have found. Later, when I am ready to post a new chapter, I will precede it with a summary of the list.

Once again, thanks to my readers here at Keep The Wisdom. I have a feeling there are many more readers than I know about and I welcome you once again to leave comments, especially if you have read a book I have reviewed. I truly love to know what other readers think about the books I have read.

Monday, September 28, 2009

THE FOUNTAIN OVERFLOWS







The Fountain Overflows, Rebecca West, The Viking Press, 1956, 313 pp


This is one of the most wonderful books I have ever read. Let's see if I can explain why. Rebecca West wrote 14 complete novels, three of which were published after her death in 1983. She was also a journalist, reported on the Nuremberg trials and wrote the famous Black Lamb and Grey Falcon (1943), a travelogue, history and impassioned appreciation of the former Yugoslavia; a book I have started a couple times and will finish someday. She has great heart along with intelligence and writing skill. Those qualities come together in perfect balance in The Fountain Overflows.

Rose, the youngest of three daughters, tells the story of her family in early 20th century England; a family who lives on the brink of poverty at all times due to their papa's unsuccessful attempts to bring truth to politics through his writing. Mama gave up a promising career as a concert pianist to marry her genius and now struggles to make ends meet while maintaining music as a constant in her children's lives. The book is like Little Women in England, except that it is leavened by wit and raised to great literature by its subtlety.

Every member of this family has a gift for understanding people. An underlying theme that there is more to life than appears on the surface lends a spiritual tone to the story. Mama has the strength of a matriarch and the compassion of an angel. I grew to love each character for his or her unique qualities because the author clearly loved them as well and brought me into their hearts and minds.

The intricacies of music training and music performance, the troubling ethical questions of British life in Edwardian times, alongside the universal problem of keeping one's head up in a society that measures worth by wealth and possessions, made this an ideal story. I want every woman I know to read it and I will surely read it again.


(The Fountain Overflows and Black Lamb and Grey Falcon are available in paperback by special order from Once Upon A Time Bookstore. Little Women is always in stock on the shelves.)

Sunday, September 27, 2009

THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY

The Guernsey Literary and Potato Peel Pie Society, Mary Ann Shaffer & Annie Barrows, The Dial Press, 2008, 274 pp


Here's the thing. This book has many of the elements I love in fiction: it is about books, readers and writers; it has an interesting and little known historical context; the main character is an outside-the-box, feminist, brave young woman; the remaining characters, including a very cool kid, are well-drawn and unique; finally tolerance, goodwill and reading save the day. I read it easily, at times with delight, but it just did not in the end turn out to be great.

I am in the minority here because people (mostly women) all over the country love this book to the point of raving. I think that is because, bottom line, it is a love story in the tradition of Pride and Prejudice. I read it for one of my reading groups and interestingly, it was the love story that got the most discussion, while the tribulation of living on an island occupied by Nazis for most of WWII was barely brought up (except by Lisa, who comments regularly here.)

One of the characters in the story is absent throughout, but she is in truth the lynch pin of the entire tale. That is an unusual twist. Again, only Lisa mentioned her.

In these times of publishing and book selling hardship, I feel like a spoil sport, complaining about a book that has sold extremely well. (We will not talk about Dan Brown here.) Then again, I feel like an outcast or a voice crying in the wilderness at some of the reading group discussions I attend. How can it be that I was practically tarred and feathered for making some women read The Gathering by Anne Enright? A book which left me gasping.

Where are the readers who like what I like? Perhaps they do not join reading groups. Hm.


(The Guernsey Literary and Potato Peel Pie Society and Pride and Prejudice are available on the shelf in paperback at Once Upon A Time Bookstore. The Gathering is available in paperback by special order.)

Tuesday, September 22, 2009

HOW I BECAME A FAMOUS NOVELIST

How I Became A Famous Novelist, Steve Hely, Black Cat, 2009, 322 pp


This one is truly funny. A spoof on the publishing industry that skewers everyone from the authors who write books intentionally following trends to create a blockbuster to the agents, publishers, reviewers and readers who encourage it all. Hely's main character, Pete Tarslaw, is your usual modern day slacker/anti-hero, with a twist. When he learns that the college girlfriend who dumped him in senior year is getting married, a desire for revenge gets him off the couch.

He "studies up" on bestsellers, Amazon reviews and the incomes of bestselling, blockbuster writing authors; boils it all down statistically; gets some drugs from his roommate that bring on an extreme hyper-activity; and writes a "bestseller." Due to certain connections and the high state of perplexity in the publishing industry, this works for him. He becomes a famous novelist.

But revenge is tricky business. Also Pete Tarslaw is far from adept when it comes to human relationships. He has to eat crow in the end and even learns the lesson he needed to learn.

If only all comedy could be this good. If only there were more books to ease my worried mind once in a while with a good laugh. If only dysfunctional creepy assholes actually learned their lessons. Sigh. OK. Back to literary fiction.


(This book is available in paperback by special order from Once Upon A Time Bookstore.)

Monday, September 21, 2009

THE LAST EMBRACE

The Last Embrace, Denise Hamilton, Scribner, 2008, 378 pp


After five mystery novels set in contemporary Los Angeles, known as the Eve Diamond series, Denise Hamilton has written a noir crime novel set in 1940s Hollywood. Lily Kessler, former OSS spy, returns to her hometown to investigate the disappearance of her late fiance's sister Kitty, who had been a budding movie star.

Not surprisingly, Kitty turns up murdered under the Hollywood sign. In a milieu of competitive starlets, gangsters, special effects people and LA's homicide division, Lily relentlessly pursues all possible leads and finally gets her man. She also gets a new lover who, in true Denise Hamilton style, may be a good guy or may be an enemy.

This is a good long satisfying read, though I hate it when the killer turns out to be someone you've hardly heard of throughout the book. But the pleasure for me in reading a mystery is not so much finding out who done it as it is participating in the investigation.

The best aspects of The Last Embrace are the sights and scenes of Los Angeles from 60 years ago. Having now read hundreds of books from the 1940s in My Big Fat Reading Project, this one fit right in. I did not live in LA then, but it is my city now and I love reading about its past.


(The Last Embrace is available on the shelf in paperback signed copies at Once Upon A Time Bookstore.)

Friday, September 18, 2009

READING GROUPS

Reading groups are not for everyone. They can be fraught with issues such as members don't read the book, members chat about their lives instead of discussing the book, one or more members seek to dominate the discussion, etc. Some people just like to keep reading as a private activity.

I joined my first reading group in April, 2004, because I was just dying to talk to people about books. I have wonderful friends but oddly enough, none of them read like I do. Then it all snowballed and I now am a member of five groups. That is working for me though I don't always like the books that are chosen. Even that problem isn't bad, since I work in a bookstore and need to be able to suggest books for all types of readers.

As far as the issues go, I won't stay in a group if the members don't read the book or can't stay focused on discussing the book. Those dominating types: well there seems to be one in every group but if there is a competent moderator or an agreed upon mode of discussion, the loud mouth can be kept down to a dull roar.

Finding reading groups is easy. Ask at your favorite bookstores, your local library and amongst your reading friends. They are everywhere, member turnover is usually high and groups often need new members. In my experience, less than 8 attending members is just too small to keep a good discussion going.

As a regular feature here on my blog, I am going to post news about some of the groups I attend. Not all of them are open to new members but the ones I post are. Of course, if you don't live in the Los Angeles area, you won't be attending, but you might be interested in the books we read.

Here are upcoming meetings for the rest of September and into October. For info on locations or to order the book, click on the name of the store or the book's image.

Wednesday, September 23; 8:30 am
Mystery Reading Group with tea and scones
Once Upon A Time Bookstore
Montrose, CA
At Risk, Stella Rimington



Wednesday, September 23; 7:30 pm
Bookie Babes
Barnes & Noble
Burbank, CA
Travels With Charley, John Steinbeck



Monday, October 12; 7:00 pm
The Women's Bookclub
Portrait of a Bookstore
Studio City, CA
The Guernsey Literary and Potato Peel Pie Society, Mary Ann Shaffer



Tuesday, October 13; 7:30 pm
Adult Fiction Reading Group
Once Upon A Time Bookstore
Montrose, CA
The Plague of Doves, Louise Erdrich



Thursday, October 15; 7:30 pm
One Book At A Time Reading Group
Usually meets at Mi Casita Restaurant in Sunland, CA
Contact Lisa, the leader for reservations
American Wife, Curtis Sittenfeld

Wednesday, September 16, 2009

OUT STEALING HORSES

Out Stealing Horses, Per Petterson, Graywolf Press, 2005, 258 pp


This is the sort of book I love the most. I like to read widely and enjoy many types of stories: mystery, thrillers, fantasy, science fiction, historical fiction. But there is a special satisfaction that certain novels bring when I am drawn into what almost feels like a dream state, full of wonder and emotion and an explication of the state called human being.

Trond Sander came of age just following World War II. His country of Norway was occupied by Germans during the war bringing hardships, but he was only a child then. The hardship for his family was that the father was often gone and his activities had a mysterious air.

In 1948, the war was over, Trond was 15 and spending the summer with his father in the country, living in a cabin by a river. He makes a friend from a neighboring farm, as one does when one is away from home and living mostly outdoors. It is an idyllic time for Trond, especially because he is so happy to be alone with his father.

Tragedy strikes. Trond gradually realizes that there is more going on in the small village and surrounding farms, between his father and the people there, than he had been aware of at the beginning of the summer. The mystery of his father is revealed.

The structure of the novel has Trond as a 67 year old man looking back to what became the most fateful season of his life. When I read about this structure on the cover flap, I felt instantly bored. This novel is not boring for one single sentence.

Petterson creates the world of an old lonely man in equal power to the world of an adolescent boy. Norwegians are characterized in part by their love of the natural world, which is evident in writing that put me there in the woods and fields, on the riverbank, in summer and winter, as though I could feel, smell and taste.

Petterson's calm, quiet prose, exquisitely translated, pulled me through heart wrenching emotions of love, desire, abandonment and fear. In spite of a great deal of emotional and physical violence, I came to the end feeling at peace and grateful for the moments of grace in Trond's life as well as my own. The story said to me that we are defined more by the grace than the violence and sorrow.

I am so glad I read this book. I feel enriched by it.


(Out Stealing Horses is available in paperback by special order from Once Upon A Time Bookstore.)

Tuesday, September 15, 2009

LAURA RIDER'S MASTERPIECE

Laura Rider's Masterpiece, Jane Hamilton, Grand Central Publishing, 2009, 214 pp


I have always liked Jane Hamilton's writing. Her characters are like actual people but also unique. She has a slightly skewed outlook on humanity and at the same time views most people as somewhat off the beaten path of life. She gets beneath the social persona and lets us in on what really goes on.

Laura Rider is a forty-something successful business woman who, with her husband Charlie, has created Prairie Wind Farm, a beautiful gardening and landscaping center. The local people of small town Hartley, WI, come there for plants and advice on their yards and flowers.

Laura is also a secret novel reader, has a dream of becoming a writer and is an avid fan of Jenna Faroli who hosts her own show about books and authors on Milwaukee Public Radio. Jenna has recently moved to Hartley with her husband, who is a judge.

Laura stopped having sex with Charlie because he was so good that he wore her out after twelve years of marriage. Due to a difficult first pregnancy and birth resulting in a hysterectomy, Jenna and her husband have not had sex for over a decade. So when Laura finally meets Jenna at a garden club gathering, and then Charlie meets Jenna by chance on the road later that day, Laura goes into the mode that has always brought her success. She starts managing people and situations.

She literally creates an affair between Charlie and Jenna, so that while studying her how-to books on writing a romance novel, she can also watch a romance in progress. In a nod to modern times, much of the affair is conducted by email between Charlie and Jenna, except that Laura reads all the email exchanges and even helps Charlie compose his.

Most of the reviews and blurbs make much about how funny this book is. Amusing, I guess; sexy for sure; comical in the way that certain romance movies from the 50s were, but not funny. Jane Hamilton has written a spoof on wannabe writers who have never spent a day being literary. Weirdly, I had recently finished How I Became a Famous Novelist by Steve Hely (watch for the review, coming soon), which was truly funny. I think we are supposed to not like Laura Rider, but perversely, I did.


(This book is available in hardcover by special order from Once Upon A Time Bookstore.)