THE DEATH OF BEES

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The Death of Bees, Lisa O'Donnell, HarperCollins, 2013, 310 pp

It would be interesting to count up the number of novels written about children raised, neglected, abused, and/or deserted by bad parents. Reading such stories always make me either wish people had to get a license to reproduce or fills me with wonder at the resilience of the children who survive such upbringings. The Death of Bees delivered both sides of that emotional divide.

Marnie and Nelly live in a Glasgow housing estate, sort of like what are called the projects in the United States. Their parents are, or I should say were, drug addicts who have turned up dead one morning. Marnie at 15 is the elder sister and does her best to take care of 12 year old Nelly, who is somewhat challenged, perhaps a victim of fetal alcohol syndrome. The goal is to keep the deaths a secret and to stay away from welfare and foster care.

In alternating chapters we get the story from these two barely reliable narrators. It is grim but there are moments of levity and the obligatory element of hope. 

This was a reading group pick. As usual, most of the ladies reacted in various tones of shock and horror. It makes me wonder under what rocks they live. Praise should go to Lisa O'Donnell for making the tale palatable to them. Isn't it about time to realize that there are vast levels of difference amongst the 99%?

Anyway, I liked reading the book due to the honest portrayals of all the characters including the gay neighbor who rescues them, the suspicious grandfather, etc. The happy ending was a little too pat but if it had all ended in grief and disaster I am sure Lisa O'Donnell would not have been able to sell her novel.

Such stories leave me wondering if there is nothing to be done about our world except to practice random acts of kindness.

(The Death of Bees is available in paperback on the shelves at Once Upon A Time Bookstore. It is also available in hardcover and eBook by order.)

HOMBRE

Hombre, Elmore Leonard, Ballantine Books, 1961, 190 pp

Somehow I thought this was Elmore Leonard's first novel. In fact, it was his fifth. He began publishing Westerns in 1953 with The Bounty Hunters. But for me Hombre is a good place to start.

Hombre was the name given to John Russell, a tough and fearless white man raised partly by Apaches. The story is set in Arizona mining country complete with stage coaches, outlaws, and a big pile of money over which the other main characters commit violence and crime.

I hadn't known that Leonard started out with Westerns. Though his style is not as flashy as it became, the voice is recognizable as is the timing of the plot and the hint of philosophy underlying it.

A movie version starring Paul Newman was released in 1967 but since I have not yet seen it, the climax in the novel came as a complete surprise to me. Hombre is a hero alright but with Elmore Leonard's brand on him.

(Hombre is available in paperback and eBook by order from Once Upon A Time Bookstore.)

A HOUSE FOR MR BISWAS

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A House For Mr Biswas, V S Naipaul, McGraw-Hill Book Company Inc, 1961, 531 pp

V S Naipaul's fourth novel is his longest so far. Still mining the Trinidadian Indian Hindu community amid which he grew up, the locations, people, traditions, the Pundits and the strivers, the remnants of the Indian caste system, are all in play. Having read all four books, I swear I feel as though I know these people well.

This is a more somber book. Some humor remains but it felt as though Naipaul's affection for his people had waned. The story covers the entire life of Mr Biswas from his birth under a few bad signs to his death. One funny thing is that the author calls him Mr Biswas throughout and rarely uses his first name.

Mr Biswas lost his father at a young age and was reared mostly by relatives in varying stages of poverty. He had virtually no self confidence but his lifelong dream was to have a house of his own. He eventually married into a wealthy family, got a job as a newspaper reporter, and had four children. Until the age of forty, he was doomed to live in the houses of his wife's family where he felt belittled.

I am puzzled as to why I found the novel so readable. The writing is assured and in a style not quite resembling any other author. Besides immersing the reader in the society and times of Trinidad, including the harbor city Port of Spain, Naipaul brings to life the customs, strivings, and intimate details of these people. He made me feel their absurdities as well as their eternal efforts to rise from the indentured workers who were their ancestors into participation in mid 20th century life by means of education and grasping onto any possible business opportunities.

So it is an immigrant story in the long run and that is pretty much the story of the world: people who have come from somewhere else either by choice or because of wars and slavery, intermingling their lives, customs and beliefs with other peoples. It is essentially a sad story and so is the life of Mr Biswas threaded with defeats and humiliations.

I kept hoping he would triumph somehow but his accomplishments were miniscule, reminding me that history is actually made up mostly of people living from day to day with hopes that are largely dashed but always harboring those hopes as an incentive to rise above mere survival.

A House For Mr Biswas is considered to be Naipaul's breakout book. After this he moved on to writing novels set in Great Britain and around the world. He has won both the Booker Prize and the Nobel along with a reputation bespattered in recent years with charges of misogyny and racism. In the numerous portrayals of beatings of children and wives along with a deep distrust of anyone not Hindu that pepper his early novels, I can see how his influences would make it difficult to achieve any level of "political correctness." Perhaps he has carried Mr Biswas with him throughout his life.

(A House For Mr Biswas is available in various formats by order from Once Upon A Time Bookstore.)

HOW TO GET FILTHY RICH IN RISING ASIA

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How To Get Filthy Rich in Rising Asia, Mohsin Hamid, Riverhead Books, 2013, 228 pp

I was so impressed by the writing in this short novel that I am determined to read both of Mohsin Hamid's earlier novels.

This one is the story of one Asian man's rise from the poorest of rural boys to wealth and corporate power. Hamid uses the construct of a self-help book with the book's author speaking to the aspiring man in the second person.

Many readers and reviewers found both the self-help book conceit and the second person voice either unimpressive or annoying. I found it an inventive if not brilliant way of telling a story that has featured in various novels over the past several years, including The White Tiger by Aravind Adiga as well as Tash Aw's Five Star Billionaire.

This novel is also a consummate piece of satire about business practices in today's world including rapacious criminality and the personal sacrifice entailed in becoming a self-made success.

The relationship between this unnamed entrepreneur and the one woman he ever loved is bittersweet but again creates an underlying treatise on the ways that both poverty and materialism can break down the human requirements for family and connection.

That all this depth and breadth is packed into a slim and compulsively readable novel is a feat not found in several of the long novels published in 2013.

(How To Get Filthy Rich in Rising Asia is available in various formats by order from Once Upon A Time Bookstore.)

THE GOLDEN ARROW

The Golden Arrow, Anna Redmond, Assembly! Press, 2014, 282 pp

The Golden Arrow is the first volume of a fantasy trilogy by first-time novelist Anna Redmond. Intermingling political strife with magic, the tale pits a ruthless ruler, the offspring of a deposed noble family, the Queen Mother and her royal granddaughter against each other as they contest for power.

Patria is a country conquered two decades ago by an enemy state and now governed by Archibald Mercer as a supposed egalitarian society. In truth, though its monarchy was toppled, Patria is ruled as much as it ever was by means of power and influence with the former noble class anxious to regain its wealth and position.

When the Queen Mother awakens from the coma into which she sank after the King's defeat and death, intrigue arises and lives are again in peril.

Nicola, a ravishing beauty at sixteen, daughter of a once powerful family, walks blithely into danger. Her father has arranged an alliance with the Queen Mother by agreeing to have Nicola bound to the surviving Princess Eloise in an ancient and erotic ritual that will make the two young women sisters of each others' hearts as well as lovers.

Joseph de Brulle, Nicola's brother, ambitious and reared in the current political climate, dreams of regaining honor for his family by demonstrating merit and complete support of Mercer's politics.

Alas, Nicola and Joseph are far too innocent and sheltered to comprehend the forces at work around them. The best parts of this expertly plotted novel are the moments of dawning awareness to the realities of their lives as these two attempt to realize their youthful dreams and passions.

I was immediately drawn in as much for the plot as for the more than a few surprising touches:

News travels in Patria by means of "pamphlets" which are a sort of People Magazine/Facebook/blog complete with images and gossip. Nicola and her girlfriends pore over these daily issues as girls everywhere do while members of the government track their rivals.

Along with evolving plot points, the pages of The Golden Arrow sparkle with descriptions of elaborate gowns, social affairs, and the tempting dishes enjoyed by the upper class: roast kid, crisped fowls, lotus buns, comfits with herbs and spices, whiskey chocolates.

Each main character leaps off the page through glimpses of individual episodes of distress, violence, and even madness. The many scenes of ritual and passion between Nicola and Princess Eloise are written with graceful eroticism. As the tale unfolded I felt I was in the hands of a seasoned writer.

The final chapters reveal the meaning and purpose of the Golden Arrow. Yet the book ends with much of its mystery unresolved and left me wishing I could open the sequel right away and keep reading. All very impressive!

ABOUT THE AUTHOR:

I have known Anna Redmond for almost a decade because she is married to my nephew. They also live in the Los Angeles area, are raising two daughters, and regularly attend our family gatherings. When Anna told me last fall that she had finally sold her novel, I begged for a copy and promised a review. Because I knew she read lots of books and was smart as well as savvy, I was reasonably confident I would like her work. Obviously, I loved it!

In today's publishing world it is harder than ever for a new author to become known. I asked Anna if she would answer a few questions about herself as a writer. Here are her answers:

KTW: How long have you been writing? In fiction terms, have you always written fantasy?

AR: I've been writing since I learned how to spell, but I think I've only been a true writer for a couple of years. I discovered this later than I should, really, but there is a profound difference between writing (even writing well) and being a writer. Being a writer means having the courage to take your idea, jump into it, and see it through to end - - which by the way, is something I struggled to do for many years, through half-finished manuscripts in many different genres. When I started writing fantasy fiction, it felt freeing and empowering in a way that was really very profound. At least for me, right now, it felt like the right genre to tell my story.

KTW: In your interview at Science Fiction Book Club, you mention Alexandre Dumas and The Three Musketeers as an influence. Would you care to comment on your influences among fantasy writers?

AR: Ray Bradbury was a huge early influence. He wrote more science fiction than fantasy, although I would argue that a number of his stories were really a blend of the two. I actually remember writing him a letter when I was twelve or thirteen. In terms of contemporaries, I really enjoyed the Game of Thrones series, and structurally, it was an influence in how I chose to construct The Golden Arrow.

KTW: Your novel has an assured political viewpoint. Am I remembering correctly that you have a degree from Harvard in political science? If so, were you aware of that knowledge and training coming into play in the story?

AR: I actually studied Economics and Information Technology Policy! But close - certainly took my fair share of courses at the Kennedy School (of Government) at Harvard. I think what was a bigger influence than my degree, though, was really my family's background - we immigrated from Russia when I was five, and growing up, I watched a lot of communist-era films. I found the way that the politics had filtered down into everyday life to be fascinating. The nature of the propaganda was so different from the way that I was growing up in the U.S. I draw on a lot of that in Golden Arrow.

KTW: Would you place your book into a specific sub-genre of fantasy? I would call it political and erotic fantasy but I don't want to say that if you object to those labels.

AR: Ha! Love it. Political and erotic fantasy. I think that may be a new category. It's always hard for a writer to categorize her own work. My publisher described it as a "political fantasy thriller laced with sex and intrigue." My writing group pushed me to include more sex in the first novel. I held them off, promising more in the second book in the series!

The Golden Arrow was released this month by the publishing arm of the Science Fiction Book Club. It can be purchased there in hardcover and is also available from Amazon in hardcover and as an eBook.

THE CROOKED MIRROR

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The Crooked Mirror, A Memoir of Polish-Jewish Reconciliation, Louise Steinman, Beacon Press, 2013, 240 pp

In graceful and heartfelt prose, Louise Steinman captures a horrific topic: the results and residue of the Holocaust in Poland. Thanks to my reader friend with whom I formed the World's Smallest Reading Group (just the two of us), I learned about and read The Crooked Mirror.

Louise Steinman, daughter of Polish Jewish immigrants, had lived all her life without learning a thing about her family's past. Her mother could not even say the word Poland and Louise was only told that the country allowed almost all of Poland's Jews to be exterminated and possibly was even complicit in the genocide.

I immediately sympathized with her dilemma. One of the reasons I decided to write my own autobiography was because my parents rarely talked about their ancestors, nor as it turned out did they know much about them. All my ancestors were German immigrants who came to the United States in the mid to late 1800s. Two world wars with Germany as America's enemy had effectively silenced my grandparents about their origins. In their efforts to assimilate and blend in, neither their native language nor tales of the families' pasts survived.

By the time Louise Steinman began her quest and odyssey into the past, she was a practicing American Jew in Los Angeles whose rabbi was also a Zen Buddhist. Only in LA, right? The purpose of her first trip to Poland, by invitation of the rabbi, was to attend an International Bearing Witness Retreat at Auschwitz-Birkenau. This experience led her to Radomsko, her grandparent's Polish hometown, and ultimately to a more complete understanding of the complexity of Polish-Jewish relations.

Having read John Hersey's The Wall and Leon Uris's Mila 18 (both are fictional accounts of the Warsaw Ghetto), as well as The Patagonian Hare, the memoir of Claude Lanzmann (creator of the Holocaust movie Shoa which I watched), I was fairly well prepared historically to appreciate the emotional prejudices Steinman had to confront. None of this reading prepared me at all for the reading group discussion of The Crooked Mirror.

My friend brought another friend to the meeting. Both of them are Jews of Polish descent. My friend has been to Poland twice and her friend at least four times, including visits to the hometowns of their forebears. The book meant more to them than I could have imagined.

My ancestors were Lutheran and emigrated for economic reasons. These women's ancestors were obliterated almost without a trace. Our discussion ranged far and wide leaving me with many of my preconceived notions rearranged.

To all of these women goes my admiration for their courage in facing the past and their willingness to help heal a countrywide breach caused by the evils of both the Nazis and post WWII Communism. Though the history of the persecution towards the Jewish people dates much further back than 1939, there was a time when Jews and Catholics in Poland lived shoulder to shoulder in tolerance and cooperation.

Steinman's memoir follows her progression from tentative inquiry through increased involvement and finally to enough healing to allow hope. To this day hardly any Jews live in the entire country of Poland, but efforts by both Jews and present day Polish Catholics have brought to light what really happened. In older times "a Polish Catholic painted the zodiac on the ceiling of Radomsko's Great Synagogue and a Polish Jewish tinsmith designed the spires of the town's cathedral."

(The Crooked Mirror is available in hardcover and eBook by order from Once Upon A Time Bookstore.)

TWELVE YEARS A SLAVE

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Twelve Years A Slave, Solomon Northup, Derby & Miller, 1853, 235 pp

I read this slave narrative as a reading group pick. Not having previously read any slave narratives, I can't judge it by comparison but I found it a gripping read.

The twist in this one is that Solomon Northup was a freeman in the North who was captured by trickery and sold into slavery, a crime at the time. The drama is how he survived for twelve years and finally arranged to be rescued by people he used to know in the North. And it is dramatic right up to the end.

I presume this book has provided details for many a novel about slavery written since. Should you read it before or after seeing the movie or in addition to seeing the movie? I have not as yet watched the movie so I can't say, but members of my reading group who have, say they make good companions to each other.

I don't guess any of us need to do either to be convinced that slavery is a wicked thing. The worth of the book was its role in the abolitionist movement as well as the power of literature to create change.

My copy was part of an eBook by Timeless Reads that also contains five additional slave narratives including Up From Slavery, the autobiography of Booker T Washington; Incidents in the Life of a Slave Girl; Uncle Tom's Cabin; The Life of Josiah Henson; and Narrative of the Life of Frederick Douglass. (I have wanted to read the Frederick Douglass book ever since I read Transatlantic by Colum McCann, because Douglass features in that story.) All of these books were first published in the 1800s except for Up From Slavery in 1901.

I read both Twelve Years a Slave and Black Like Me during the week of Martin Luther King Day. That is enough for now but next year I'll have more to read. I also watched The Butler that week. Good for me!

(Twelve Years A Slave is available in paperback by order from Once Upon A Time Bookstore.)

LIFE AFTER LIFE

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Life After Life, Kate Atkinson, Little Brown and Company, 2013, 529 pp

A good deal of great writing kept me going in Life After Life but overall I was left feeling less than thrilled by the end. In fact, at the very end I was confused and had to talk it over with a couple reading friends.

Ursula Todd gets born in 1910, then she gets born again and again with different scenarios ensuing. It is kind of like that movie Ground Hog Day, without the humor. She also lives through various parts of her life several times and because of her choices ends up in better or worse states than other times.

Once I got used to not knowing when it was and to finding the clues to when it had been, I didn't mind the time shifts. Anyone who made it through The Time Traveler's Wife, a book I loved completely, can make it through this novel. Some parts were quite gripping, especially the section on the London Blitz in WWII. 

I liked Ursula's crazy aunt and the beloved brother. I didn't think Sylvie, Ursula's mother, quite hung together as a character.

I guess I liked the concept of the book better than the reading of it. It must have been fun to write. Of course, it all got me thinking about points in my life where I could have made different choices and thus have had a different life.

There you have it. A disjointed and inconclusive review, not unlike the novel itself. You are what you read? Most definitely! 

(Life After Life is available in various formats by order from Once Upon A Time Bookstore.)

THE BORROWERS ALOFT

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The Borrowers Aloft, Mary Norton, Harcourt Brace & World Inc, 1961, 192 pp

THE SUNDAY FAMILY READ

How sad that I have reached the end of The Borrowers series, but what a send off!

The Borrowers came ashore after their harrowing escape by boat in The Borrowers Afloat to find a miniature model village with a ready made home just their size. Of course, it had been discovered by the intrepid Spiller.

This volume begins with a short history of how the model village came into being as a hobby of Mr Pott, a retired railway man. His meticulous craftsmanship reminded me of Keith Stewart, the main character from Nevil Shute's 1960 bestseller, Trustee From the Toolroom.

Mr Pott has a rival, a Mr Platter, wealthy builder who constructed his own model village just across the river with the aim of making money. No sooner are the Clocks are getting settled in Mr Potts' Little Fordham, than they are discovered by Mr Platter who kidnaps the family and imprisons them in his attic for the winter. He is building a house for them in his village where he plans to showcase the little people as his latest attraction.

Anyone who has read the stories of The Borrowers knows that their greatest fear is "being seen." Escape from Mr Platter must be accomplished at all costs. 

Taking their usual roles as Pod the father/inventor, Homily the worried mother, and Arrietty the adventurous discoverer of new things, the family builds a balloon in which they plan to sail out of an attic window to freedom. Arrietty, you may remember, had taught herself to read back in the original house of the first book. There in the attic she found an article about ballooning in an old number of the Illustrated London News.

Their feverish work on the balloon, their departure and journey by air back to Little Fordham, and a climax more surprising than any of the previous stories, make for a suspenseful read. I never read this final book in the series as a kid. By 1961 I was starting high school and reading adult books. But I should have read it because Arrietty turns 16 and realizes that she loves Spiller and wants to marry him. To do so, she must navigate her parents' resistance to such an outlandish proposal while she learns to understand Spiller's fiercely independent personality.

Mary Norton accomplished a feat not often repeated in children's literature until J K Rowling had Harry Potter age along with his readers. Brilliant! Now I must see the movie, The Secret World of Arrietty.

(The Borrowers Aloft is available in paperback by order from Once Upon A Time Bookstore.)

IN DUBIOUS BATTLE

In Dubious Battle, John Steinbeck, The Viking Press, 1936, 313 pp

I did not read Steinbeck's novel about an attempt to organize migrant workers as part of My Big Fat Reading Project because it was published before 1940, the year I chose for the beginning of my project. I read it now for a reading group and must say, it is a much better book than The Grapes of Wrath.

All of the qualities I love best about Steinbeck are here. Great complex characters, description that brings the locations and the weather and the events to life, and a thoughtful look at a big human problem.

The trouble with trying to help a person or specific group with a problem is that the helper is not the person or a member of the group. The main characters from "the party" (Steinbeck does not call them communists but the growers do) come in from the outside. They are desperate characters for their own reasons but they are not migrant workers and their agenda stems from a political consciousness.

Steinbeck gives a brilliant exposition of the methods used to organize downtrodden workers into people who will fight the system: finding or even creating an incident that will ignite them out of apathy, the "end justifies the means" mentality, and the justifications for violence and criminal activity. It has been ever thus when the dregs or unfortunates rise up.

He shows all of it, making his book still vital today. The novel moved me as much as East of Eden.

(In Dubious Battle is available in various formats by order from Once Upon A Time Bookstore.)

THE SIGNATURE OF ALL THINGS

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The Signature of All Things, Elizabeth Gilbert, Viking, 2013, 499 pp

Oh my. I loved this book. I didn't want it to end. I wish I was still reading it. Let me see if I can stop gushing and say something intelligent about why I loved it so much.

First of all, Alma Whittaker, so flawed a character yet so brave and in the end so wise. I suppose not all readers will feel that way, especially female readers. I admired her and suffered with her. Of course, I recognized that Gilbert put a good deal of herself into Alma but found nothing wrong with that.

As a piece of historical fiction, the book excels in terms of evoking the times without showing off the research. I am a gardener and the daughter of gardeners so I was captivated by all the botany stuff.

Finally, Gilbert writes in this novel with such balance between the plot and her empathy for her exotic characters. She has got the controlled abandon of Neal Stephenson, the wit of A M Homes, but is fully herself. She kept upending my expectations as to where the story was going in such a brilliant way that I was willing to follow wherever she took me.

Alma, who put almost all of her mind and energies into science, who used her studies and experiments in botany to make sense of the world, eventually arrived at a theory similar to Darwin's. She had published other books and plenty of articles in scientific journals but put off publishing her theory because she had an unanswered question about life, an anomaly that did not fit. Then Darwin's book came out, he acquired fame and credit for the theory of evolution.

By this time Alma was elderly and I loved most of all the insight and light-handed approach Gilbert took with this final disappointment in Alma's life. Between the lines of these final chapters, much gets said about science, truth, men, women, fame, and integrity.

(The Signature of All Things is available in various formats by order from Once Upon A Time Bookstore.)

BLACK LIKE ME

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Black Like Me, John Howard Griffin, Signet, 1961, 176 pp

I don't read much non-fiction for My Big Fat Reading Project. When I do, I choose books that give me the sense of living amidst the times or that fill in parts of history I never fully learned. Black Like Me gave me a great deal of insight into what life was like for southern Blacks in the early years of the Civil Rights struggle.

The premise is almost unbelievable. A white journalist from Texas, by means of medication and dyes, turns himself into a Negro and spends time with other Negroes in various towns: New Orleans, small towns in Mississippi and Alabama, Atlanta. 

Griffin may have invented immersive journalism. He had a contract for the story with a magazine called Sepia and as far as I can tell, his experiences were the real deal.

He discovered that though he already believed racism to be a terrible thing, white people really had no idea what it was like to be a Negro, especially in the South. He could enter a drug store and make a purchase, but could not sit at the counter to eat. Negroes could only eat at Negro cafes. He could not even get a drink of water and often had to walk many blocks to find a restroom he could use. 

Worst of all was what he came to call "the hate stare." The constant degradation got to him so much that there were times when he felt insane.

It is a moving story and goes far to explain the complex barrier Black people in America have to overcome to gain rights that are inalienable according to our Constitution. Once Griffin's article came out he became an overnight celebrity in the North but was so reviled and threatened in his home town that he moved his family to Mexico to protect their lives. 

This is a short book, well written, and should be read by every American citizen.

 

 

(Black Like Me is available in paperback on the Classics shelves at Once Upon A Time Bookstore.)

FEBRUARY READING GROUP UPDATE

After a warm and sunny January here in Los Angeles, we are in for cooler weather, clouds, and hopefully some rain. Perfect weather for reading. Here is what we will discuss in my reading groups during February:

Tina's Group

Once Upon A Time Bookstore Adult Fiction Group

One Book At A Time

Bookie Babes

 

 

 

What is happening with your reading groups? Any suggestions for books that make for good discussions? 

THE WATERS OF KRONOS

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The Waters of Kronos, Conrad Richter, Alfred A Knopf, 1960, 176 pp

Conrad Richter was a well respected mid-century writer whose series about a midwestern pioneer family, The Trees (1940), The Fields (1946), and The Town (1950), were his most popular books. I read The Town because it won a Pulitzer Prize in 1951 and enjoyed it for the good story telling and the history of the midwest.

The Waters of Kronos is a whole different type of novel. I would say it was experimental for its time though not as far out there as his contemporaries Wright Morris or John Barth.

John Donner is an aging man in ill heath when he goes back to his home town, seeking answers in the past. Unionville lies somewhere amongst the mountains of the northeastern United States and has been underwater for years due to a large hydroelectric dam on the River Kronos.

Donner talks his way past a guard at the gates of the fenced lake and before long finds himself in the Unionville of the past, in the years of his childhood. Richter uses a cross between time travel and symbolism as he has Donner roam the town where no one, even members of his own family, recognizes him.

Page after page of description, of memories and nostalgia, do not reveal much about Donner's childhood, except that he feared his father, adored his mother, and left home as a young man. He works through a Freudian/Jungian hatred of his father but finally still longs for the mother's love and acceptance.

Richter won the National Book Award for The Waters of Kronos, wrote one more novel and passed away in 1968 at the age of 78.

(The Waters of Kronos is available in a university paperback reprint by order from Once Upon A Time Bookstore. I found a copy at my local library.)

THE LUMINARIES

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The Luminaries, Eleanor Catton, Little Brown and Company, 2013, 830 pp

I was dying to read this book from the moment I heard about it. The Booker Prize winner for 2013, a young female author purported to be highly intelligent (I love young intelligent female authors) from New Zealand (I have a thing for fiction from down under.) Finally I got through the holidays and all that end of the year stuff, cleared the decks, and settled down for a nice long winter read.

Well! Reading the beginning of The Luminaries is an eye-of-the-needle proposition. If you can make it through Part One, 360 pages, you will probably make it to the end. Many are called but few are chosen, though I must say that is rather true of most Booker Prize winners.

Before I had gone even 100 pages, I switched from my beautiful hardcover copy (graciously sent to me by the publisher free of charge, I guess because I have a blog) and began reading the digital galley edition on my iPad. Because the hardcover was so heavy it was hard to switch back and forth from the page I was reading to the character chart at the beginning. That chart of characters is essential to following the story.

Yes, the characters. There are 20 main characters, one of whom is dead; all important and intrinsic to this tale of the 1860s Gold Rush in New Zealand. At first I was annoyed by the lengthy description of each person. It felt like too much telling, but it turned out that the author had painted vivid pictures of each in my mind helping me to remember them as I got to know them further through the story.

I tried to make sense of the astrology connection but finally gave it up. I don't know enough about astrology to get what she was doing, though I might have missed a whole level of the novel.

It took me a full week to read The Luminaries. By the end I was reading over 200 pages a day due to the telescoping nature of the book's structure, but the beginning was rough. I'm not sure quite how she captured me. I do like gold rush stories for the sheer lawlessness and desperation involved. This one is also a mystery with possibly a few too many red herrings and ultimately it's a love story though that does not become apparent until the end. She does a good end, tying up all the loose threads and sorting out all the clues. I became extremely fond of the lovers and don't guess I will ever forget them.

I felt a sense of accomplishment in finishing The Luminaries. I didn't love it but I knew Eleanor Catton had had her way with me for which I admire her immensely. Not a book for the faint of heart or the light-minded, but a rollicking, honest, and in-depth look at human nature run amok.

(The Luminaries is available in various formats by order from Once Upon A Time Bookstore.)

EMILY'S RUNAWAY IMAGINATION

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Emily's Runaway Imagination, Beverly Cleary, William Morrow and Company, 1961, 221 pp

THE SUNDAY FAMILY READ

I was in a bad mood when I started reading this book, about a girl who is always being told that she lets her imagination run away with her. It instantly made me feel happy.

Emily is nine going on ten. She is the only child of a farming family outside Pitchfork, a very small town in Oregon. Her mother came from somewhere east, possibly Chicago, where she had been a teacher. Her father is descended from pioneers who came to Oregon generations ago. They all work hard and Emily's mom gets involved in starting the town's first library.

Though a specific date is never mentioned, times are hard and Emily's grandfather gets one of the town's first automobiles, so it must be the 1920s. Beverly Cleary later wrote a two volume autobiography. I haven't read those yet but from what I have gathered, I would say Emily's Runaway Imagination is somewhat autobiographical. In any case, the book is another example of her smooth and entertaining writing style with children as fully realized characters.

My favorite chapter was the one where Emily decides to bleach their horse, an old plow horse whose white coat, mane, and tail are mud stained and yellowed. Emily's cousin, who has lately read Black Beauty three times in a row and thinks it the most wonderful book ever, is coming for a visit from Portland, where she lives with her well off parents.

When Emily tells her mom she wants to bleach the horse, Mom just tells her to follow carefully the directions on the bottle. She works hard, all day in the hot summer weather, and gets a good result but worries that the animal is still clearly a plow horse. But the cousin is enchanted and even learns to ride it without a saddle.

One of the important rules on the farm is never waste food. The first step is always clean your plate because "think of the starving Armenians." I was still told that growing up in the 1950s! It cracked me up because I've never seen that phrase in a book before.

Since the book is set in the past, compared to most of Cleary's books which were contemporary for the times, I felt I was reading a combination of Lois Lenski and Beverly Cleary. I wonder if Lenski was an influence of Cleary's. If I were still teaching or tutoring, I would use the books of both these authors to bring history alive for my students.

(Emily's Runaway Imagination is available in paperback by order from Once Upon A Time Bookstore.)

THE BIRD SKINNER

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The Bird Skinner, Alice Greenway, Atlantic Monthly Press, 2014, 306 pp

I might never have heard of Alice Greenway if it weren't for my practice of being in multiple reading groups. The leader of one of those groups brought Ms Greenway in to do a reading from her first book, White Ghost Girls, in 2006. I immediately bought and read the book and had that wonderful feeling I get when I find a new author to love.

I've had to wait eight years for the second novel, probably worth the wait, because there is not a shred of sophomore slump in The Bird Skinner. While the first novel was essentially about teenage sisters, this one is about an old broken curmudgeon at the end of his life.

Alice Greenway is a tragedian of the first order. She sees into the minutely individual ways a human being can suffer. It takes an old soul to understand that to live is to suffer, a Buddhist concept, as well as to comprehend that a person may come to terms with loss and with his own shortcomings but not necessarily recover from them.

Jim Carroway has suffered great losses in every decade of his life while also following his consuming passion for ornithology whenever his life permitted, even at times when he should have been taking more care with that life. His most recent loss is the leg that has been amputated, for what reason we never learn. He retreats to the family house on an island off the coast of Maine where he spent summers as a child, determined to drink and smoke himself to death.

Sounds awful, I know. And it is. The novel is a study of a man whose life-changing incidents all left him with post-traumatic stress; serial PTSD. If he hadn't been the tough and nasty character he became, he would never have survived for as long as he did.

When it came to studying birds, he was fearless, ultra competent, and driven. A Darwin. An Edward O Wilson. When it came to human interaction he was found lacking. 

Because the novel follows the form of a person looking back over his life, the whole story comes to light in the patchy, uneven way that memory works. Every scene of suffering is leavened with exquisite writing about the natural world as well as the moments of grace Jim finds. The reader is made to care about this most graceless of men and to hope for his recovery.

The wonder is that even as various fine people come to Jim on his island and help him in various ways, even as he seems to find his soul again, even as we are seduced into hope, the author keeps from us what will come about in the end, though she has Jim telling us all along where he is headed.

I have a little pile of books called "How did she/he do it?" Books I will reread or have reread to discover the answer. This one goes on that pile.

(The Bird Skinner is available in hardcover by order from Once Upon A Time Bookstore.)

THE PROGRESS OF A CRIME

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The Progress of a Crime, Julian Symons, Harper & Brothers, 1960, 211 pp

This mystery won the Edgar Award in 1961. Hugh Bennett is a 22-year-old reporter for a small town paper in England. He dreams of getting to London eventually for work on a national paper.

When he is sent out on the usual boring assignment to cover a Guy Fawkes Night, he witnesses the murder of a local tavern owner. Before long he is involved with a top crime reporter from a big London paper as well as with the sister of one of the suspects.

A gang of knife-carrying motorcycle youths are called in, questioned, and eventually two of them are charged and tried for the crime. The London paper pays for a lawyer to defend the youths in exchange for access to the families. As the situation grows more tense, Hugh learns the ways of the world and has to grapple with his own moral compass.

The storytelling is not particularly gripping, in fact might be a bit too literary for crime fiction, but does deal with teen crime, the political and economic conditions of the times, and class conflict in mid-20th century Britain. These are the times that gave us the Beatles, the Kinks, and the Rolling Stones. Not many writers were addressing teens yet in 1960. Probably Catcher in the Rye spawned the genre and I read a 1959 novel, Absolute Beginners, also set in England, that featured teens as a new demographic. It will be interesting to see the development of such books as I continue through My Big Fat Reading Project, especially since I myself became a teen in 1960.

(The Progress of a Crime is available in paperback by order from Once Upon A Time Bookstore.)

THE EDGE OF SADNESS

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The Edge of Sadness, Edwin O'Connor, Little Brown and Company, 1961, 460 pp

The bestseller list for 1961 had a good share of long books and this one, at #8, seemed longer than its pages. I have now finished reading the top 10 bestsellers for that year.

Edwin O'Connor wrote in that wordy 1940s style, aspects of which were over-explaining and repetition. I am quite weary of the style and got weary of the story long before it was over.

Novels about religious themes still made the bestseller lists throughout the 1960s. The Edge of Sadness, about the troubles of a Catholic priest, also won the Pulitzer Prize in 1962. God was not dead yet.

Father Hugh Kennedy is middle-aged when the novel opens but his entire life story gets told as well as the history of an Irish-American family who influenced him. No sexual troubles but a period of alcoholism from which he recovered and the loss of his mother at a young age had lasting effects.

O'Connor in my mind is the Irish John O'Hara. His novels are all set in Boston and he wrote about an era that was passing away during the middle decades of the 20th century. 1961 was the year John F Kennedy took office and American Protestants were curious about Catholicism not to mention queasy about having the first Catholic president. That explains to me the bestseller status and the Pulitzer.

While the novel was only moderately good it was interesting from a historical/sociological viewpoint.

(The Edge of Sadness is available in paperback by order from Once Upon A Time Bookstore.)

ON SUCH A FULL SEA

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On Such a Full Sea, Chang-rae Lee, Riverhead Books, 2014, 352 pp

If Chang-rae Lee chooses to write a futuristic novel we can safely say that speculative fiction has moved out of the ghetto of genre into the uptown of mainstream fiction. That he has brought about a distillation of the gated-compound-versus-the-barbaric-wilds trope into a quest for the fine line between free will and fate only proves what we have known all along: that speculative fiction explores the various what-ifs of human existence and is built upon our oldest myths.

"It is known where we come from, but no one much cares about things like that anymore. We think, Why bother? Except for a lucky few, everyone is from someplace, but that someplace, it turns out, is gone. You can search it, you can find pix or vids that show what the place last looked like, in our case a gravel-colored town of stoop-shouldered buildings on a riverbank in China, shorn hills in the distance. Rooftops a mess of wires and junk. The river tea-still, a swath of black. And blunting it all is a haze that you can almost smell, a smell, you think, that you don't want to breathe in."

That calm measured prose, a Chang-rae Lee hallmark; that theme of the displaced Asian person trying to understand how to fit into the Western world; a heroine, strong, slightly skewed, but eerily sympathetic. Anyone who has read this author will feel that familiar zing in this first paragraph.

We are placed in the midst of the repurposed areas of a future America following a long decline. Have I read a modern novel where the narrator is a plural first person representing the consciousness of an entire town? I don't think so.

They are retelling the story of Fan, skilled diver in the labor settlement of B-Mor. She maintains the gigantic fish tanks where high quality seafood is grown for the inhabitants of the elite walled villages, the areas where only the most intelligent and wealthy live in supreme luxury and safety.

Fan is about 16 years old and Reg, her lover and husband to be, has vanished. They think he has been captured for some role in a Charter village because the rumor in B-Mor is that Reg was "C-free." His blood did not carry the taint that almost every other person harbored, an anomaly of serious interest to the medical science of the day.

Fan commits an act of destruction in a town where order and obedience is revered, then hits the road. The town figures she has gone in search of Reg and indeed she has. Thereafter we follow her through the anarchistic counties where she suffers from violence and benefits from kindness; then into the village where she suspects Reg might be, where she benefits from kindness but in the end suffers from a different sort of violence. To readers of The Road or Oryx and Crake, this is familiar territory.

I wanted Fan to accomplish her quest. I craved the moment when she and Reg would be reunited. I marveled at Fan's strength of character even as I feared it would not be enough.

The title comes from Shakespeare's Julius Caesar:

"There is a tide in the affairs of men,

Which, taken at the flood, leads on to fortune;

Omitted, all the voyage of their life

Is bound in shallows and in miseries.

On such a full sea are we now afloat,

And we must take the current when it serves,

Or lose our venture."

Fan flames out into obscurity. The collective voice of B-Mor is finally convinced of the rightness of the quest. "Don't hurry Fan. Stay put for now. We'll find a way. You need not come back for us." Freedom is a state of mind maintained by persistence and action. We yearn for the protection of irony but Chang-rae Lee once again has stripped that all away.

 

 

(On Such A Full Sea is available in various formats by order from Once Upon A Time Bookstore.)