Monday, May 15, 2017

RAISE HIGH THE ROOF BEAM, CARPENTERS AND SEYMOUR: AN INTRODUCTION





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Raise High the Roof Beam, Carpenters and Seymour: an Introduction, J D Salinger, Little Brown and Company, 1963, 248 pp


I hope I am not boring you, my readers, with all these books from 1963. I am making great progress on the list by reading one a week and as of today have only four of the bestsellers left to read. Then I will be on to the award winners.

I have now read all of this infamous, controversial author's books. I suppose there will be unreleased stories being published over the coming years, but this one wraps up the stuff published while he lived. In fact, the two pieces here, long stories or novellas, were originally published in the New Yorker in 1955 and 1959, respectively, during Salinger's heyday.

I happen to like Salinger, Holden Caulfield and all. I especially like his crazy Glass family, who feature in both selections here. Those precocious children who were forced to perform on the radio and grew up to be eccentric adults, seem to be forerunners of characters in novels I have read by Cynthia Ozeck, Lydia Millet, and Karen Joy Fowler.

Raise High the Roof Beam, Carpenters is the story of Seymour Glass's wedding that almost didn't happen. It turned into elopement leaving all the family members flailing about or, in some cases, stuck in a taxi together. I recalled that Mary McCarthy also opened her 1963 novel, The Group, with a wedding in New York and that incident had a scene in a crowded taxi as well! Though Salinger's story is poignant, it is also one of the funniest things he wrote.

Seymour: an Introduction is filled with the angst of Seymour and his brother (who is writing the piece) and takes place after the wedding as well as after Seymour's suicide. It is meant to be a character study but serves as a farce on writing. Some reviewers have called the piece "self-indulgent." Duh! Apparently they didn't get the joke.

Earlier this year I watched the 2013 documentary Salinger. It shows the man in all the reclusive, reporter hating, misogynist glory of his later years. It was a disturbing take-down of one of my literary heroes. I wish I could unwatch it because those scenes in the movie kept coming up while I was reading. Whether the documentary is true or not, I'd rather keep my illusions about the author who has given me so many hours of reading pleasure. If you love Salinger's work and have not seen the documentary, be warned. Personally, I don't require the authors I read to be sane, well-balanced citizens.


(Raise High the Roof Beam, Carpenters and Seymour: An Introduction are available in hardcover and paperback by order from Once Upon A Time Bookstore.)

6 comments:

  1. Ahh Salinger, one of my favorites, passed down to me by my father who used to read his books aloud to us as kids while we fell asleep at night. (Ha, not really age appropriate, but still ...) My favorite was Holden but I'd like to reread some of the other books, and I plan not to know too much about Salinger's life b/c he was sort of awful and I'd rather just hold on to his characters & books for awhile longer.

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    1. How cool that your father used to read Salinger to you as a kid. My dad loved Catcher in the Rye and turned me on to it. Definitely don't bother with the documentary!

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  2. I, too, don't require authors to be "sane, well-balanced citizens", and in many cases they aren't. I'd rather know them for their works, unless I get obsessed with their lives and that's usually not the case.

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    1. I did read a big huge biography of John Steinbeck and it only made me love him more. Same with Charles Dickens. In both books, I cried when they died.

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  3. I am impressed that you have read all of Salinger's books. As for the documentary, I often think it is wise to refrain from examining the lives of any of our literary heroes too closely. Best to simply take their words at face value and enjoy them for what they are.

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    1. Despite all his fame, there are only four: The Catcher in the Rye,
      Nine Stories, Franny and Zooey, and this one. I wish there were more. It seems we are all in agreement about not knowing too much about the lives of authors.

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