MISSING MOM

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Missing Mom, Joyce Carol Oates, HarperCollins, 2005, 434 pp

 

 

 Summary from Goodreads: Nikki Eaton, single, thirty-one, sexually liberated, and economically self-supporting, has never particularly thought of herself as a daughter. Yet, following the unexpected loss of her mother, she undergoes a remarkable transformation during a tumultuous year that brings stunning horror, sorrow, illumination, wisdom, and even—from an unexpected source—a nurturing love.

 

 

My review:

I lost my mom in 2009. She and I were mostly at odds for many years. Somewhere in my 40s we began to reconcile. She stopped being so critical of me and I began to see her good points. Near the end of her life she needed 24 hour care and wished to remain at home. I honored that wish, left my job, husband, and home, and so spent the last three months of her life by her side. It was the hardest thing I have ever had to do. ( My wonderful husband was supportive of my choice.)

 

So I related to Missing Mom in a big way. Two sisters must deal with their widowed mother's gruesome death. They have never gotten along but it is the rebellious, free-spirited daughter who comes to stay at the family home, sort through the relics of the past, and deal with her loss.

 

In the process, she learns that her apparently sainted mother had a secret and tragic past. The woman who she knew as mom was practically a created personality who bore little resemblance to the child and teenager she had been before marriage. Learning the truth about both their parents' lives, the sisters change and find their own true selves.

 

I found this book somehow lighter than most of the novels I have read by JCO. Of course, lighter for her is still dark compared to many other authors, but there is a tenderness she does not usually show. I wondered about her relationship with her own parents.

 

It was easy to read, it made me laugh and cry, and I recommend it for female readers who have lost their mom, especially moms with whom they have had their troubles. 

(Missing Mom is available in paperback on the shelf at Once Upon A Time Bookstore.)

GHOST LIGHTS

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Ghost Lights, Lydia Millet, W W Norton & Company, 2011, 255 pp

Summary from Goodreads: Ghost Lights stars an IRS bureaucrat named Hal—a man baffled by his wife’s obsession with her young employer, T., and haunted by the accident that paralyzed his daughter, Casey. In a moment of drunken heroism, Hal embarks on a quest to find T.—the protagonist of Lydia Millet’s much-lauded novel How the Dead Dream—who has vanished in a jungle. On his trip to Central America, Hal embroils himself in a surreal tropical adventure, descending into strange and unpredictable terrain (and an unexpected affair with a beguiling German woman).

My Review:

I don't know how I discovered Lydia Millet. She has never had a big bestseller but has been a finalist for literary prizes and is loved by literary book bloggers. A few years ago I decided to read How the Dead Dream, the first novel of a trilogy. I was just so pleased.

Ghost Lights is the second in that trilogy and I read it now because I wanted to get through all three novels before her new book, Sweet Lamb of Heaven, came out. For one thing, it does not suffer from the common occurrence where the second of a trilogy is the weaker of the three. If anything, it just carries right on.

In How the Dead Dream the main character, known as T, dumps his successful real estate development business in the hands of devoted secretary Susan and takes off for Central America. He goes completely out of touch leaving Susan consumed with worry. 

Ghost Lights opens with Susan's husband Hal, a deadbeat IRS employee who has just discovered that his wife might be cheating on him. In a convoluted attempt to win her back, he volunteers to go find T somewhere in the jungle and bring him back.

Millet's characters are always just this side of whacked out. In that respect she reminds me of T C Boyle and Michael Chabon, two of my favorite authors. Hal is so oblivious. Obsessed with his confusion about Susan, he bumbles around on the outskirts of Central American tourist towns, takes up drinking, has serendipitous encounters with people who help him, and finds T.

And this is only half of the novel! The thing about Millet is she combines elements that shouldn't work together in the same story but they do. Wry humor bordering on slapstick sometimes, political and environmental viewpoints laced with irony, a smidgen of magical realism, all wrapped around the very real sorrows and quandaries of the human heart.  

It's like when I invent dishes in my kitchen that are a mashup of various cultures. They are usually delicious and I just call them "fusion." Because if the flavors complement each other and the ingredients meet up in interesting ways, everyone's palate is happy. Well, almost everyone.

Lydia Millet delivers something that delights my reading tastes. And she does not care one whit what she does to you. Ghost Lights ends so surprisingly, as did How the Dead Dream. I can't wait to see if or how she wraps things up in the third book, but with the title, Magnificence, she promises quite a lot. 

(Ghost Lights is available in various formats by order from Once Upon A Time Bookstore.) 

JUNE READING GROUP UPDATE

A new twist on images: why did this one come out off center? Maybe because I am feeling a bit that way trying to catch up on all things blogging.

Only 4 IRL reading groups this month. One of my groups is on hiatus for the summer. But then there is my new on-line group and they are doing 2 books! OMG.

Here we go!

Laura's Group:

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Goodreads On-line Group:

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Goodreads On-line Group:

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Molly's Group:

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One Book at a Time:

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Bookie Babes:

 

 

 

I am looking forward to all of these books! Really a stellar reading group collection. 

What books are you looking forward to reading/discussing this month?

 

BOOKS READ IN MAY

Well, here it is the second of June and I am behind already as a blogger. I have a good excuse this time. Last weekend I flew to Houston, TX for my granddaughter's high school graduation and just got back a couple days ago. Of course, I got no reading done so had to power read the first reading group book of the month for last night's meeting. You will find out what that was tomorrow when I post the June Reading Group Update.

Compared to April, I had a wonderful reading month with no duds, no slumps, and all kinds of interesting stories. I finished 12 books, an acceptable amount for me and my reading goals. Due to an unusual circumstance, I cannot tell you what one of the books was. So it is a "secret book."

Stats: 12 books read, 9 fiction, 3 non-fiction, 8 by women, 2 from My Big Fat Reading Project, 1 translated, 1 speculative.

Favorites: The Death of Artemio Cruz, LaRose, and Gold Flame Citrus

Least favorite: None. All were great.

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How was your reading in May? Any recommendations for me?

THE PAST

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The Past, Tessa Hadley, Harper, 2016, 310 pp

 

 

Summary from Goodreads: Three adult sisters and their brother meet up at their grandparents' country home for their annual family holiday--three long, hot summer weeks. The beloved but crumbling house is full of memories of their childhood--of when their mother took them to stay with her parents when she left their father--but this could be their last summer in the house, now they may have to sell it. And under the idyllic pastoral surface, there are tensions.

 

 

My Review:

One of the ways I like to nerd out as a reader is to read several novels that basically tell the same story in different ways. Then I compare and contrast in my mind about the various books.

 

The Past falls into that group of novels in which a family of adult siblings get together in the home where they grew up for a last reunion before that home must be sold. I think we are drawn to such stories because they examine at least three generations, because all families have their quirks and issues, sorrows and joys, and because we can see how the passing of almost one hundred years affects the way life is for each generation.

 

Literary fiction, by which I mean fiction with skillful writing and deeper thoughts about life than so-called mainstream, commercial, or popular fiction, is my reading preference. I totally get it that it is not for everyone. The Past is highly literary. Set in a small British town, it moves at a slow pace with plenty of description of weather and place as well as a look at the inner lives of the characters. There is however plenty of tension in the story that builds to an unexpected climax.

 

I liked it. It got me to look again at my own family and the ways in which our shared life unites us while our different personalities create friction. I realized that every family has a sort of myth about itself which is just that; a myth, not the truth.

 

This year as I was following The Tournament of Books, I became impressed by one of the many people who comment on each day's winners and losers. When the above mentioned person started a new group on Goodreads, I joined. We read and discuss new literary fiction. Our first group read was The Past and that is how I came to read it.

 

I don't actually enjoy on-line book discussions because they are too disjointed for me. I get worked up about some of the vitriol people express about the book. I much more enjoy book discussions in real life where the dialogue is immediate and we can respond to each other in real time. But I am intrigued by the books this group intends to read.

 

So I lurk and don't comment often. The group's creator and moderator is conscientious, thoughtful, and kind. That helps. I am glad to have read Tessa Hadley and will probably seek out other novels by her.

 

Books I have also enjoyed on this theme:

The Green Road, by Anne Enright

Wish You Were Here, by Stewart O'Nan

 

Can you recommend others I might like?

 

Do you participate in on-line book discussions? If so, what makes them work for you? 

 

 

(The Past is available in various formats by order from Once Upon A Time Bookstore.) 

THE DEATH OF ARTEMIO CRUZ

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The Death of Artemio Cruz, Carlos Fuentes, Farrar Straus and Giroux, 1964, 306 pp (translated from the Spanish by Sam Hileman, originally published in Mexico, 1962)

 

 

 

This novel made a huge impression on me. Read as part of my 1962 reading list, it was the original translation by Sam Hileman, Fuentes's translator throughout the 1960s.

 

  Artemio Cruz was a fictional impoverished mulatto. In his teens, he ran away to fight in the Mexican Revolution but later betrayed the ideals of that conflict and through sharp dealing became a wealthy and influential financier.

Artemio is dying all the way through the novel, but looking back from his sickbed and through the dreams and delirium of illness. The author therefore becomes the voice of the man, an artful and successful method of unwritten autobiography put down on the page by another.

While still a soldier, Artemio finds his first, his one and only love. Once she dies of a bullet wound, his ideals become diluted by sorrow. The rise to power involves him in a loveless marriage as well as shady dealing with American investors. Like any good mogul, he also buys a newspaper by which he can spin events to his own benefit and influence politicians.

Despite the despicable nature of Artemio's life, I came to care about this man. Like many modern novels of today, the time sequence is tangled but creates the effect of a person coming to terms with his life; seeing how his earlier actions influenced later ones; grappling with the tough questions of honor vs power. As a result, Fuentes presented a history of the revolution through the lens of one man's life.

Also by means of straight memory, dream states, and the continuous contrast of Artemios's current struggle with his illness, his doctors, and his family, the author draws the reader into all the conflicting ways any person deals with a life. The writing is powerful, somewhat experimental, and I almost did not want the book to end. 

I turned the last page and wondered who I could read that writes like this today.

THE MARRIAGE OF OPPOSITES

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The Marriage of Opposites, Alice Hoffman, Simon & Schuster, 2015, 362 pp

Back in 2000, I read a bunch of Alice Hoffman's novels. I was drawn to the magical element. But I was always a bit put off by the way she writes though I could never quite put my finger on why. Every writer has a voice and I just could not completely enjoy hers. So I gave her up.

When one of my reading groups chose The Marriage of Opposites, despite my doubts, I read it. The writing still bothered me but it is historical fiction set in two exotic locations and the story revolves around Rachel, who was the mother of Camille Pissarro, a famous painter in late 17th century Paris, now recognized as one of the fathers of Impressionism.

The novel opens when Rachel is a defiant young girl, making her own mother crazy as she refuses to follow the rules. The family are pillars of their small community of Jews on the Caribbean island of St Thomas. Descendants of Jews who escaped the Inquisition and were driven from Europe, the community's rules derived from the need to defend themselves and always be ready to flee in the face of oppression.

Rachel would have been happy to flee such a sequestered life. Her dream is to live in Paris and this is the story of how she eventually realized that dream. Of course, a lot of stuff had to happen first and decades passed. The island is rife with secret relationships, racial and religious prejudice, and a woman's life is hard.

Rachel and her best friend Jestine suffer together through marriages, childbirth, losses, and passions. Hoffman's writing in this book is best when she is describing the beauties of the island and later of Paris. Perhaps because she was writing about the childhood and development of an Impressionist painter, she took on the eyes of an artist.

Also, most of the characters are wonderfully developed and make the story come alive. I always admired her storytelling skills. In The Marriage of Opposites her story is so big, far ranging, and full of incident that I stopped being distracted by her awkward sentences and just read to find out what would happen to Rachel, her two husbands, and her numerous children. I also learned about another facet of Jewish life I had not known before.

Overall a fascinating read, though the two men in the reading group called it chick lit. The women laughed them off. If some men think any story about women who take charge of their own lives is chick lit, maybe it's time they got to actually know some "chicks."

(The Marriage of Opposites is available in various formats by order from Once Upon A Time Bookstore.)

WINTER'S TALE

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Winter's Tale, Mark Helprin, Harcourt Brace Jovanovich Inc, 1983, 688 pp

 

 

At last we come to the book that broke my reading slump. After being forced by circumstances to put it down at only 25% through, I could finally pick it up again and live in its spellbinding universe.

 

What can I say about a book that has 3622 reviews on Goodreads and 1069 on Amazon? I guess I can only say what I loved.

 

1.) It is long, so long, but I never wanted it to end. If heaven or eternal life were this entertaining, this full of diverse characters and big ideas and wonder, I would sign up. I can't say I was ever bored. Even the endless descriptions of weather and locations kept me engaged.

 

2.) The Big Idea: Actually it is a big question or a big quest. (How similar are those two words and both are derived from the Latin word "quaerere" meaning to seek, ask, inquire.) In this novel the question is "Is the Universe just?" 

 

Ever since I can remember being able to think, I have asked myself and others that question. When I have protested against what I've perceived as unfair, I have mostly been told that life is not fair. When I have rankled against injustice, I have been instructed that justice is an ideal but nearly impossible to achieve.

The big idea here is that yes, the Universe is just but one must look at the big picture, take the long view. In a seemingly anarchic fashion, the universe, both animate and inanimate, tends toward balance and justice. At this point in my life I don't really worry anymore if such a concept is true or not. It is what I believe and the one freedom that cannot be taken away is the freedom of one's own beliefs. To have this belief narrated in such a great tale was wondrous for me.

3.) The interactions of characters, generations, historical periods and the intricacies that the author creates. While I love many kinds of stories, it is the long, intricate ones that please me most.

Hopefully the next time I hit a reading slump, and that is bound to happen, I will remember the cure: Go to the Books I Really Want To Read shelf and pick one up and read it.

(Winter's Tale is available in various formats by order from Once Upon A Time Bookstore.)

THE WOMAN WHO READ TOO MUCH

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The Woman Who Read Too Much, Bahiyyih Nakhjavani, Redwood Press, 2015, 322 pp (originally published in France and Italy, 2007)

 

 

Summary from Goodreads: Gossip was rife in the capital about the poetess of Qazvin. Some claimed she had been arrested for masterminding the murder of the grand Mullah, her uncle. Others echoed her words, and passed her poems from hand to hand. Everyone spoke of her beauty, and her dazzling intelligence. But most alarming to the Shah and the court was how the poetess could read. As her warnings and predictions became prophecies fulfilled, about the assassination of the Shah, the hanging of the Mayor, and the murder of the Grand Vazir, many wondered whether she was not only reading history but writing it as well. Was she herself guilty of the crimes she was foretelling?

 

 

My Review:

Because of its title, I was destined to read this novel. I am the woman who reads too much. But for the poetess of Qazvin, her excessive reading brought tragedy and an early death, while for me it is saving my sanity.

 

Let me say right off that this is an extremely challenging read. Its larger than life characters go by several names and titles each. It is set in mid 19th century Persia. It is told from four different points of view. The time sequence is a tangled and overlapping web. If I hadn't turned to the back of the book and read the author's Afterword first, something I rarely do, and then constantly referred to her "Chronology of Corpses" placed after the Afterword, I would have been as confused and frustrated as the rest of my reading group members were.

 

Because I used those two aids as much as I did, I was rewarded beyond my expectations. The poetess of Qazvin was most definitely a saint and though her ending was violent and grim, she did as much for women and mankind as most saints do. She was blessed to be born to a father who believed women should be taught to read and encouraged to write, in a time and culture when Persian women were meant to be kept illiterate.

 

Being a literate woman who studied the Islamic scriptures she was tireless in working to adapt Islamic practices to include rights for women. She was fearless and beautiful but little concerned for her own comfort or happiness or safety. She taught women of all classes to read and to think for themselves.

 

If one is to read and assimilate Bahiyyih Nakhjavani's extraordinary novel, one must set aside most of her reading habits and expectations and desire to see inside both the palaces and hovels of Iranian culture. In any culture, where women or races or religious beliefs or economic conditions enforce inequality and oppression while using violence to quell discontents, the victims of it develop coping strategies. This is true of the lowliest corpse washer, of the inhabitants of the palace harems, of the mother of the Shah.

 

The author has woven a tapestry of words and images to portray the many ways in which all of the above might play out. The reward for me in deciphering her art and intent was a deeper understanding of the drama that is our modern world or even perhaps that of humanity throughout all time.  

 

By the end I felt something like enlightenment. I could see the big picture, the stakes, the opponents and the goals. It made me want to read more, to better understand myself and my fellow humans, and I felt very happy to be who I am. To me, that is what great literature should do.

 

 

(The Woman Who Read Too Much is available in various formats by order from Once Upon A Time Bookstore.) 

THE LITTLE RED CHAIRS

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The Little Red Chairs, Edna O'Brien, Little Brown and Company, 2016, 297 pp

 

 

Summary from Goodreads: A woman discovers that the foreigner she thinks will redeem her life is a notorious war criminal. Vlad, a stranger from Eastern Europe masquerading as a healer, settles in a small Irish village where the locals fall under his spell. One woman, Fidelma McBride, becomes so enamored that she begs him for a child. All that world is shattered when Vlad is arrested, and his identity as a war criminal is revealed.

Fidelma, disgraced, flees to England and seeks work among the other migrants displaced by wars and persecution. But it is not until she confronts him-her nemesis-at the tribunal in The Hague, that her physical and emotional journey reaches its breathtaking climax.

 

 

My Review:

 

Installment #5 of my tale of the April reading slump.

 

This is the book that liberated me from the slump and in fact started me off on a reading streak of great books. This review was originally published at Litbreak.

 

 

What if a war criminal appeared in your town and passed himself off as a poet and holistic healer? What if your town was a small isolated place and the man is handsome in a brooding mysterious way? It could happen that he would be secretly sought after by women with private troubles who would be conned into trusting him to the point of intimacy.

So does the incredible Edna O’Brien imagine how this would play out. Fifty-six years after her first novel, The Country Girls, was published, this is not quite the same Edna O’Brien. She is still mining the plight of the Irish woman but that sequestered innocence has been invaded by ever more wars, economic upheaval, and ethnic struggle. In her current alternate history, The Butcher of Bosnia, in disguise, enters the Irish town of Cloonoila on a winter evening and trailing after him are the evils of one of the worst European conflicts of the 20^th century.

The book is prefaced by the following epigraph:

“On the 6th of April 2012, to commemorate the 20th anniversary of the start of the siege of Sarajevo by Bosnian Serb forces, 11,541 red chairs were laid out in rows along the 800 meters of the Sarajevo high street. One empty chair for every Sarajevan killed during the 1,425 days of siege. Six hundred and forty-three small chairs represented the children killed by snipers and the heavy artillery fired from the surrounding mountains.”

Despite having read the above, I went into the novel as innocently as one of those early country girls and almost as ignorantly as an American woman who avoids reading the news and reads novels instead. Perhaps that was the best state in which to be for a first read, because I was instantly under the spell of O’Brien’s prose.

“The town takes its name from the river. The current, swift and dangerous, surges with a manic glee, chunks of wood and logs of ice borne along in its trail. In the small sidings where the water is trapped, stones, blue, black and purple, shine up out of the river bed, perfectly smoothed and rounded and it is as though seeing a clutch of good-sized eggs in a bucket of water. The noise is deafening…

“He stays by the water’s edge, apparently mesmerized by it.

“Bearded and in a long dark coat and white gloves, he stands on the narrow bridge, looks down at the roaring current, then looks around, seemingly a little lost, his presence the single curiosity in the monotony of a winter evening in a freezing backwater that passes for a town and is named Cloonoila.”

Within days the stranger, who calls himself Dr Vladimir Dragan, has met with and overcome suspicion and won over some admirers, including a nun, a bartender, and several ladies. He gives treatments in his clinic and talks at the school. He brings glamour and newness and a bit of the feeling of danger to the dull winter town.

No one comes to actual harm except Fidelma McBride, whose beauty and worldliness is sure to lead to trouble. She is unhappily married to a much older man, childless, and bored, having lost her boutique in the crash. The doctor becomes her obsession and she lures him into an affair. But Dragan is discovered, captured and whisked away. After a scene of stunning violence, Fidelma is left shamed and shunned by the community and her husband.

The final sections of the novel are a classic tale of the ravages of sin, the search for redemption, and the atonement. Fidelma moves to London and lives among refugees and undocumented immigrants, then moves on to The Hague where she attends Dragan’s trial before the United Nations Tribunal. Interwoven with what could be a dark mystery or even a political thriller is this woman’s journey from complicity with evil through guilt to her ultimate understanding of the dangers of innocence. O’Brien calls on the classic legends, tales of innocence lost and evil triumphing, parables of justice and punishment, all from the viewpoint of women ravaged, deprived of home and family, and drowning in grief. Not a moment of melodrama. Just a piercing examination of the travails brought down on women in times of evil getting the upper hand.

When The Little Red Chairs was published in Great Britain last October, the long, drawn out trial of Radovan Karadzic, the actual Butcher of Bosnia, was still ongoing. Just five days before the book’s publication in the United States, the United Nations Tribunal in The Hague convicted him of genocide, war crimes and crimes against humanity. I did not know that piece of news until I began preparing my review. The chilling thought comes to me. Could this masterpiece by a writer of fiction, an Irish female novelist, have made a difference in the judgement of the Tribunal?  

(The Little Red Chairs is available in various formats by order from Once Upon A Time Bookstore.)

  

SHELTER

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Shelter, Jung Yun, Picador, 2016, 326 pp

 

Installment #4 in the tale of my April reading slump, in which I start digging out with some difficulty.

 

Summary from Goodreads: Kyung Cho is a young father burdened by a house he can’t afford. For years, he and his wife, Gillian, have lived beyond their means. Now their debts and bad decisions are catching up with them, and Kyung is anxious for his family’s future.

A few miles away, his parents, Jin and Mae, live in the town’s most exclusive neighborhood, surrounded by the material comforts that Kyung desires for his wife and son. Growing up, they gave him every possible advantage—private tutors, expensive hobbies—but they never showed him kindness. Kyung can hardly bear to see them now, much less ask for their help. Yet when an act of violence leaves Jin and Mae unable to live on their own, the dynamic suddenly changes, and he’s compelled to take them in. For the first time in years, the Chos find themselves living under the same roof. Tensions quickly mount as Kyung’s proximity to his parents forces old feelings of guilt and anger to the surface, along with a terrible and persistent question: how can he ever be a good husband, father, and son when he never knew affection as a child?

 

 

My Review:

I reached the rock bottom of my reading slump with Gutshot. April was going into the third week and I had only finished four short books. Shelter was next on the reading plan but I had some time before I had to start it in order to meet my review deadline at Litbreak. Most of all, I was desperate to read something I wanted to read instead of a book for a reading group, a review, or with an upcoming due date at the library.

 

I walked to my bookshelves and looked at a stack called (in my imagination) Books I Really Want To Read Soon and saw Winter's Tale by Mark Helprin, a 688 page paperback with minuscule type that had been in that stack for months. I threw all caution and discipline away and started reading. It was wonderful, amazing, just what I had been longing for! Alas, it turned out to be a book to savor, to read slowly, taking in each delicious sentence.

 

Several days and less than 200 pages later, I had to face reality and pick up Shelter, so more about Winter's Tale when it gets its own review.

 

Fortunately Jung Yun's debut novel reads like one of the vodka and Orangina cocktails I love to drink at Happy Hour. Before you know it, you are done. I finished the book in two days. Unfortunately I am nearly the only person on the planet who didn't love it.

 

All of the elements are there: son of Korean immigrants in Boston, abusive childhood, unbelievably violent event, failing marriages, economic stress, and that terrible disaster-in-the-making when your parents have to move in with your grown-up self.

 

I could see why it was such a 4 or 5 star book for many readers. My trouble was that the story felt too much like a cliche to me. One of those novels like Jodi Picoult writes, full of issues and people who are trying to appear normal and successful but are actually broken and dysfunctional. One of those books full of contemporary family angst that could easily be a hip TV serial on a cool cable channel.

 

I know I am being a snob, but immigrant lit in the 21st century has gotten to be a predictable genre for me. For example, Celeste Ng's Everything I Never Told You; well-written with emotional heft but somehow just too carefully told.

 

The bar was set for me by Chang-rae Lee's Native Speaker and Junot Diaz's The Brief Wondrous Life of Oscar Wao. Novels where life is beyond all control and the characters and plot are larger than life and the authors force you to see how really awful life can be.

 

I didn't review Shelter for Litbreak. I have a thing when I review for someone else's publication, presumably seen by more people than the ones who follow this blog or my Goodreads page. If I write about a novel in that context, I want to feel exuberant about it and tell the world I do.

 

I moved on, picked another book, made my deadline, then finished Winter's Tale. You will read all about that in my next few posts. 

 

  

(Shelter is available in various formats by order from Once Upon A Time Bookstore.) 

 

 

 

 

 

GUTSHOT

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Gutshot, Amelia Gray, Farrar Straus and Giroux, 2015, 207 pp

 

 

Installment #3 of the tale of my April reading slump, in which I hit bottom.

 

Continuing my lethal slide into reading apathy, I struggled through this collection of short stories. Gutshot was the May 2015 selection of the Nervous Breakdown Book Club. I had listened to the Other People podcast with Amelia Gray some months ago and she sounded fairly normal. Reader, she is not!

I know there is a crossing-genres genre called The Weird and this collection would qualify. It is not Sci Fi but looks at a layer of society living probably right next to us but largely invisible. Messed up, weird people who do gross things and live outside what is thought of as mainstream. 

Do I need to be aware of these things? Do such people need a voice or a place in literature? While reading these stories, I would go to the grocery store or RiteAid or 7-11 and wonder if some of the humans I saw there might be like the people in the book. Major creep factor.

Out of the 35 mostly very short stories, I only found 4 that were tolerable. "Western Passage," "Gutshot," "Year of the Snake," and "Legacy." I am sorry Amelia Gray. I know you have admirers so I guess you can do without me.

 

 

(Gutshot is available in paperback by order from Once Upon A Time Bookstore.)

Stay tuned for the next installment when I attempt to climb out of my slump.

THIS CENSUS-TAKER

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This Census-Taker, China Mieville, Del Rey, 2016, 204 pp

 

 

Summary from Goodreads: For readers of George Saunders, Kelly Link, and Karen Russell, This Census Taker is the poignant and uncanny new novella from award-winning and bestselling author China Miéville. After witnessing a profoundly traumatic event, a boy is left alone in a remote house on a hilltop with his increasingly deranged parent. When a stranger knocks on his door, the boy senses that his days of isolation are over—but by what authority does this man keep the meticulous records he carries? Is he the boy’s friend? His enemy? Or something altogether other?

 

 

The second installment about my April reading slump.

 

My Review:

I mostly have loved and admired the books I've read by Mieville. Kraken was a bit challenging and in This Census-Taker he challenged me beyond some limit I guess I have as a reader. In fact, coming after the Mahfouz book I read before it, this nearly incomprehensible story sent me further down into a reading slump, leading to lack of a desire to read. Unheard of for me!

 

Neither the time nor the place are identified. A young boy witnesses what he believes is the murder of his mother by his strange and intermittently violent father. I did admire the writing which for much of the book was from the viewpoint of an eight-year-old boy. I knew I was only getting his unreliable narration. The boy's nightmares and fear are palpable and creepy to the max.

 

As for how he ends up being a census-taker and why and what his job involves and for whom he is doing it, I really had no idea. I have a high tolerance for wandering through a story where I am essentially lost but apparently that tolerance does have a ceiling, especially when I never get my bearings even by the last page.

 

I will keep reading Mieville though. 

 

Books I Have Enjoyed By Mieville
Un Lun Dun

The City & The City

Embassytown

 

 

(This Census-Taker is available in hardcover by order from Once Upon A Time Bookstore.)  

AUTUMN QUAIL

Autumn Quail, Naguib Mahfouz, Doubleday, 1985, (first published in Arabic by an Egyptian publisher, 1962), 167 pp

 

 

Note: This will be the first of four posts in which I describe the descent into and the slog through a reading slump I experienced last month. 

 

 

My Review:

Though Autumn Quail was not translated into and published in English until 1985, it was first published in Egypt in 1962. Hence, I read it as part of the 1962 reading list for My Big Fat Reading Project.

 

The novel was not as impressive as other Mahfouz works I have read. It does however tie in with another 1962 novel, Seven Days in May, because the major event is a military overthrow of King Faruq in Egypt in 1952. That event is historically known as the 23 July Revolution and was led by a group of army officers, one of whom was Gamal Abdel Nasser. By 1956, Nasser was President of Egypt but that is another story.

Isa ad-Dubbagh is the main character in the novel. He lost his cushy bureaucratic position in the purge that followed the conflict. Though he was corrupt he reasoned that so were many others. Another sorry repercussion was that his upcoming marriage to the daughter of a wealthy government Minister became out of the question.

After some years of heartbreak and emotional turmoil, during which he drinks a lot, neglects his widowed mother, and has a child with a prostitute, he comes to terms with the Revolution to the point of at least an intellectual acceptance of his country's desire for independence. 

The writing has even more Western influence than earlier novels by Mahfouz and served as another piece of the historical picture I am getting about 20th century Egypt by reading this author. Thus it was good to have read it and knocked another book off my very long 1962 list. Little did I know it was the beginning of the slump.

Tune in next time for what happened next!

(Autumn Quail is available in a paperback collection of three Mahfouz novellas, by order from Once Upon A Time Bookstore.)

MAY READING GROUP UPDATE

Quite a variety of genres and subject matter this month. 

Tina's Group:

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As I am a bit late posting the reading group update this month, this group has already met. So I can report that in this male/female mixed group, the women liked the book, the men panned it. 

 

 

Laura's Group:

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I played hookie for this one and did not read the book either. It sounded like not my cup of tea, but I am reading The Past, similar topic but assured literary writing.

Tiny Book Club:

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A non-fiction/memoir on sexual fluidity, etc. Looking forward to reading it but not sure if I will like it or not. Stay tuned.

 

 

One Book At A Time:

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Pretty excited that one of my reading groups chose a Joyce Carol Oates book! I haven't read this one before, appropriate for Mother's Day month. We will see what they think.

 

 

Bookie Babes:

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And a crime/mystery thriller by the great Sara Paretsky. I have already read this one but am excited to discuss it as I know the Bookie Babes include some serious mystery readers.

Are you attending any reading groups this month? What will you discuss?

INNOCENTS AND OTHERS

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Innocents and Others, Dana Spiotta, Scribner, 2016, 275 pp

 

 

Summary from Goodreads: Dana Spiotta’s new novel is about two women, best friends, who grow up in LA in the 80s and become filmmakers. Meadow and Carrie have everything in common—except their views on sex, power, movie-making, and morality. Their lives collide with Jelly, a loner whose most intimate experience is on the phone. Jelly is older, erotic, and mysterious. She cold calls powerful men and seduces them not through sex but through listening. She invites them to reveal themselves, and they do.

 

 

My Review:

 

Michiko Kakutani and I have one thing in common. We both think Dana Spiotta is all that as an author. The illustrious critic has called her “wonderfully gifted” in her review of Lightning Field; declared her second novel, Eat the Document “stunning”; and described her as “immensely talented” for Stone Arabia. I am in complete agreement with all those accolades. Since I don’t review for the New York Times, I can be even more personal and say that every one of her novels resonates with the life I have led as an aging free-love hippy with feminist leanings and an artistic bent. Like Dana Spiotta’s characters, I have never achieved any assured success and have suffered from successive identity crises.

Ms Spiotta’s fourth novel, Innocents and Others, reprises her themes: living in but feeling uncomfortable with American culture, engaging in somewhat fringe activities at large costs, and treading the shaky ground of female friendship. Meadow Mori was the privileged only child of indulgent parents in 1980s Los Angeles. She and her best friend Carrie dive into filmmaking as teens and both go on to creative careers, Mori making edgy documentaries and Carrie becoming commercially successful with feminist slanted women’s pictures. They are both committed to honesty and excellence but competition and professional jealousy threaten the deep bond that grew in their experimental days.

Woven between Meadow’s and Carrie’s chapters is one of Spiotta’s most inventive characters. Jelly (not her real name) began her professional life in a call center selling resort condos but discovered she had a gifted voice on the phone. She could get even the coldest called potential customer to talk and reveal himself, leading to a phenomenal sales record. After developing her own techniques of timing and persuasion but leaving the job out of dissatisfaction and low level guilt, as well as losing her boyfriend, she went on to assuage her loneliness by calling men of midlevel Hollywood fame, making them fall in love with her over the phone, and then bailing out at the moment they ask to meet her in person.

Jelly is in reality a consummate actress with her voice alone, but it is not clear what she is doing in this novel until by chance Meadow learns about her, tracks her down, and makes a documentary including her and a man who fell more deeply than most. In fact, Meadow has the uncanny ability to get her subjects to reveal themselves in ways that are psychologically almost pornographic. Though she wins awards and notoriety, she becomes disturbed by doubts about the morality of what she has produced. Her ultimate reinvention, another of Spiotta’s themes, is the third act in the cinematic plot that is Innocents and Others.

The novel demands quite a bit of the reader, something this reader craves, because of the entwining of lives that are each plots in themselves. Nothing is pat or expected, which leaves you wondering where the story is going. Everything lays outside the apparent veneer of American life so one’s reference points about how life should go are simply missing. When a fourth female character is introduced near the end, she is so not what she appears to be that even Meadow is shaken to the core right along with the reader.

The gifted, stunning, and talented Dana Spiotta did for me what each of her earlier novels have done. Left me aghast with admiration and desperately longing for the next novel right away. Though she had given me enough to ponder meanwhile.

  

 

(Innocents and Others is available in hardcover and eBook by order from Once Upon A Time Bookstore.) 

THE PRICE OF SALT

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The Price of Salt, Patricia Highsmith, WW Norton (revised edition), 1984, originally published by The Niad Press, 1952, under pen name Claire Morgan, 262 pp

 

 

Summary from Goodreads: Arguably Patricia Highsmith's finest, The Price of Salt is story of Therese Belivet, a stage designer trapped in a department-store day job, whose salvation arrives one day in the form of Carol Aird, an alluring suburban housewife in the throes of a divorce. They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol into a choice between her daughter and her lover. With this reissue, The Price of Salt may finally be recognized as a major twentieth-century American novel.

 

 

My Review:

When I learned that the movie, Carol, was an adaptation of this early novel by Patricia Highsmith, I decided to read the book first. I am glad I did.

 

Because it was 1952 and she was worried about backlash in those morally straight-laced times, Highsmith published with a small press under a pseudonym. This publishing history only underscores the main point of the plot: that a woman with a young child going through a divorce risked losing that child to the father on a morals charge.

 

Said husband is portrayed as a vicious homophobe who would sacrifice his daughter's happiness to punish his wife. The story begins slowly and at first lacks the creepy tension I have found in other Highsmith novels. The young woman, Therese, who is jockeying her attempts to start a career as a set designer for theater, an insistent boyfriend whom she does not love or feel passion for, and the personal mystery of her sexual life, is one of Highsmith's most appealing characters.

 

But once the slow build of their relationship turns into a Thelma and Louise type of road trip, many issues reach climax and the creep factor enters in. It becomes apparent that Carol is taking advantage of Therese's innocence but I liked that the young woman was not a victim but went on to pursue her life.

 

The movie, though beautifully shot and masterfully acted by Cate Blanchett and Rooney Mara, leaves out much of the nuance in the book and changes the ending. I hate when they change the ending! I felt the movie took much of the Highsmith out of the story.

 

Both did however show the destructive power of men in a society which views homosexuality as immoral and gives men the final word on what women may do with their own bodies. I don't know of other novels in the early 1950s that portray this so well, if at all. 

 

 

(The Price of Salt is available in paperback by order from Once Upon A Time Bookstore.) 

BOOKS READ IN APRIL

What a strange reading month I had. Equal parts dismal and amazing. The dismal part led me into a deep reading slump so that I only read 9 books. The amazing part was a 688 page book of wonderfulness. You will learn all about both in the posts to come. For now, here are the stats and the titles.

Stats: 9 books read, 9 fiction, 6 by women, 1 from My Big Fat Reading Project, 1 translated, 2 speculative.

Favorites: Innocents and Others, The Little Red Chairs, Winter's Tale

Least favorite: Gutshot

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All I can say is that reading always has been my form of extreme adventure and this month was no exception. What were your favorite and least favorite books in April?